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Creator:
Samuel Scott, 1701/2–1772, British
Title:

Arches of Westminster Bridge

Former Title(s):

Westminster Bridge

Date:
ca. 1750
Medium:
Oil on canvas
Dimensions:
Support (PTG): 42 3/4 × 47 3/4 inches (108.6 × 121.3 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1976.7.146
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
arches | baskets | bathers | boats | bridge (built work) | buildings | city | cityscape | costume | drinking | food | genre subject | leisure | men | nude | pipe | platform | river | smoking (activity) | swimmers | swimming | tankard | women
Associated Places:
City of Westminster | England | Greater London | London | Thames | United Kingdom | Westminster | Westminster bridge
Access:
On view
Link:
https://collections.britishart.yale.edu/catalog/tms:365
Export:
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Art News in Pictures, Connoisseur, 174, London, July 1970, p. 211, N1 +C75 174 (YCBA)

British art : an illustrated souvenir of the exhibition of British art at the Royal Academy of Arts, London : Winter Exhibition : 1934, , , W. Clowes and sons, London, 1934, p. 31, cat. 252, J642 934L (LSF) Also available online at: http://www.racollection.org.uk

Commemorative catalogue of the exhibition of British art, Royal academy of arts, London, January-March 1934., Royal Academy of Arts, London, 1935, p. 26, cat. 83, N6761 L651 (YCBA)

Elizabeth Einberg, The age of Hogarth, British painters born 1675-1709 , vol. 2, Tate Gallery, London, 1988, pp. 188-90, 192, ND466 T38 1988 + OVERSIZE (YCBA)

Markman Ellis, River and Labour in Samuel Scott's Thames Views in the Mid-Eighteenth Century, London Journal, vol. 37, November 2012, pp. 167,170, fig. 8, Available online : ORBIS (in Taylor $ Francis Online)

Exhibition of British art, c. 1000-1860 : full catalogue [of the Winter Exhibition held on January 6-March 10, 1934]., , , Royal Academy of Arts, London, 1934, p. 108, cat. 252, N6761 L65 (YCBA) Also available on line [Royal Academy] and on mictofiche [B 162 (YCBA)]

Luke Herrmann, British landscape painting of the eighteenth century., Faber & Faber, London, 1973, p. 32, pl. 22, ND1354.4 H47 1973 + (YCBA)

Richard Kingzett, Catalogue of the Works of Samuel Scott, Volume of the Walpole Society, vol. 48, Walpole Society, Oxford, 1982, pp. 62-63, 63-64, D, N12 W35 A1 48+ (YCBA)

J. G. Links, Canaletto and England, Apollo, 139, London, December 1993, p. 405, N1 +A54 139 (YCBA)

Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 11 (v.1)..., no. 30, ND466 R68 1964/65 (YCBA) Also available on Microfiche: Fiche B214 (YCBA)

Painting in England 1700-1850, collection of Mr. & Mrs. Paul Mellon. , Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 42 (v.1), no. 12, ND466 V57 v.1-2 (YCBA)

Harley Preston, London and the Thames ; Paintings of Three Centuries, , National Maritime Museum, London, 1977, cat. 27, N8214.5 G7 P74 (YCBA)

Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965. , vol. 1, W. Clowes and sons, New Haven, 1965, p. 43 (v.1), no. 159, pl. 58, ND466 Y35 (YCBA)


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