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Creator:
Richard Parkes Bonington, 1802–1828, British
Title:

Corso Sant'Anastasia, Verona

Former Title(s):

Corso Sant'Anastasia, Verona, Italy

A highly finished view of the Palace of Count Maffei at Verona

Date:
1828
Medium:
Oil on millboard
Dimensions:
Support (PTG): 25 5/8 x 17 3/8 inches (65.1 x 44.1 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1981.25.58
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
architecture | audience | balconies | banners | buildings | Catholicism | cityscape | costume | facade | flags | friars | genre subject | light | market (event) | men | observers | palace | piazza | priests | procession | shadow | square | street | street | tapestries | tourism | women
Associated Places:
Corso Sant'Anastasia | Italy | Palazzo Maffei | Veneto | Verona
Access:
On view
Link:
https://collections.britishart.yale.edu/catalog/tms:5024
Export:
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David Blayney Brown, Paris, Petit Palais - Bonington, Burlington Magazine, v 134, no. 1070, May, 1992, p. 327, fig. 56, N1 B87 + (YCBA)

Christie's Advertisement for Sale on July 16, 1965, Burlington Magazine, v. 107, no. 748, July, 1965, p. xxii, N1 B87 + OVERSIZE (YCBA) Also available Online (Orbis)

Christie's Advertisement for sale on July 16, 1965, Apollo, v. 82, no. 41, July 1965, p. xi, N1 A54 + (YCBA)

Malcolm Cormack, A Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 26-27, N590.2 A83 (YCBA)

Malcolm Cormack, Bonington, Phaidon, Oxford, 1989, pp. 113-114, 140, no. 90, NJ18 B65 C67 + (YCBA)

A. Dubuisson, Richard Parkes Bonington: his life and work., John Lane, London, 1924, p. 169, NJ18 B65 D8 + (YCBA)

Stephen Duffy, Richard Parkes Bonington, Trustees of the Wallace Collection, London, 2003, p. 54, NJ18 B65 D84 2003 + (YCBA)

Luke Herrmann, Nineteenth century British painting, Giles de la Mare, London, 2000, p. 149, no. 101, ND467 H47 2000 (YCBA)

Julia Marciari-Alexander, This other Eden, paintings from the Yale Center for British Art , Yale Center for British Art, New Haven, CT, 1998, p. 144, no. 58, ND1314.3 Y36 1998 (YCBA)

Patrick Noon, Constable to Delacroix, British art and the French romanticism , Tate Publishing, London, 2003, p. 231, no. 141, ND457 N66 2003 + (YCBA)

Patrick Noon, Crossing the Channel : British and French painting in the age of romanticism, Tate Publishing, London, p. 231, no. 141, ND467.5.R6 N66 2003 Oversize (YCBA)

Patrick Noon, Richard Parkes Bonington, "On the pleasure of painting" , Yale Center for British Art, New Haven, 1991, p. 292-93..., no. 155, NJ18 B65 N66 1991 + (YCBA)

Patrick Noon, Richard Parkes Bonington, the complete paintings , Yale University Press, New Haven, 2008, p. 49, 59, 60, no. 221, NJ18 B65 A12 N66 2008 + (YCBA)

Paul Mellon's Legacy, a passion for British art. [large print labels] , Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 +P381 2007, Mellon Shelf (YCBA)

Marcia R. Pointon, Bonington, Francia & Wyld, B.T. Batsford, London, 1985, p. 137-38, fig. 65, NJ18 B65 A12 P65 (YCBA)

Marion L. Spencer, R.P. Bonington, 1802-1828., Nottingham Castle Museum and Art Gallery, Nottingham, 1965, p. 30, no. 219, pl. 11, NJ18 B65 S74 (YCBA)

The Sale Room, Apollo, v. 82, no. 44, October 1965, p. 351, fig. 8, N1 A54 (LC) OVERSIZE (YCBA)


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