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Creator:
Francis Hayman, 1707/8–1776, British
Title:

George Rogers and His Wife, Margaret, and His Sister, Margaret Rogers

Former Title(s):

George and Margaret Rogers, with his sister Margaret

George Rogers, his wife Margaret Tyers, and his sister Margaret Rogers

George Rogers with his Wife, Margaret, and his Sister, Margaret Rogers

George Rogers with his wife and (?) sister

Three Figures in a Landscape

Margaret Tyers with her Husband George Rogers and his Sister Margaret

Three Figures in a Landscape (the Tyers Family)

Margaret, Elizabeth and Thomas Tyers, children of Johnathan Tyers, proprietor of Vauxhall Gardens

Date:
between 1748 and 1750
Medium:
Oil on canvas
Dimensions:
Support (PTG): 41 x 39 inches (104.1 x 99.1 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1981.25.327
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
bird | blue | conversation piece | couple | dog (animal) | family | hunting | pheasant | pink (color) | portrait | sister | stone | tree | wife
Associated People:
Rogers, George (1718-1792), landscape painter
Rogers (née Tyers), Margaret
Access:
Not on view
Link:
https://collections.britishart.yale.edu/catalog/tms:5031
Export:
XML

Brian Allen, Francis Hayman, Yale University Press, New Haven, 1987, pp. 32, 102, no. 24, fig. 13, NJ18 H3324 A54 (YCBA)

Geoffrey W. Beard, The compleat gentleman, five centuries of aristocratic life , Rizzoli, New York, 1992, p. 156, no. 121, HT653 G7 B415 1992 (YCBA)

British Art at Yale, Apollo, v.105, no. 182, April 1977, pp. 255, 258, fig. 6, N5220 M552 A7 1977 OVERSIZE (YCBA) Published as April 1977 issue of Apollo; all of the articles may also be found in bound Apollo Volume [N1 A54 105:2 +]

David Coke, Vauxhall Gardens, a history , Yale University Press, New Haven, 2011, pp. 229, 231, fig. 170, DA689.G3 C65 2011 + OVERSIZE (YCBA)

Commemorative catalogue of the exhibition of British art, Royal academy of arts, London, January-March 1934., Royal Academy of Arts, London, 1935, p. 25, no. 78, pl. 22, N6761 L651 (YCBA)

Malcolm Cormack, A Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 112-113, N590.2 A83 (YCBA)

Ellen G. D'Oench, The Conversation Piece: Arthur Devis & his contemporaries, , Yale Center for British Art, New Haven, 1980, pp. 4, 71, cat. no. 54, , NJ18 D5151 D64 OVERSIZE

Stephen Deuchar, Sporting art in eighteenth-century England, a social and political history , Yale University Press, New Haven, 1988, p. 84, fig. 65, N8250 D48 (YCBA)

Ralph Edwards, Georgian Conversation Pictures, Apollo, v.105, no. 182, April 1977, pp. 255, 258, fig. 6, N1 A54 105:2 + (YCBA) Another copy of this article may be found in a separately bound and catalogued copy of this issue located on the Mellon Shelf [call number : N5220 M552 A7 1977 + (YCBA)]

Judy Egerton, British Sporting and Animal Paintings 1655-1867: A Catalogue, The Paul Mellon Collection , Tate Publishing, London, 1978, pp. 52-54, no. 55, Colour Pl. 8, ND1383 G7 B75 OVERSIZE (YCBA)

Exhibition of British art, c. 1000-1860 : full catalogue [of the Winter Exhibition held on January 6-March 10, 1934]., , , Royal Academy of Arts, London, 1934, p. 149, no. 364, N6761 L65 (YCBA) Also available on line [Royal Academy] and on mictofiche [B 162 (YCBA)]

Anthony Fletcher, Gender, sex, and subordination in England 1500-1800, Yale University Press, New Haven, 1995, no. 39, HQ1075.5 E5 F54 1995 (YCBA)

Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 29, ND466 G67 (YCBA)

Luke Herrmann, The Paul Mellon Collection at Burlington House, Connoisseur, v. 157, no. 634, December 1964, p. 214, N1 C75 + OVERSIZE (YCBA) Another copy available in YCBA Vertical File Collection: v 2334

Julia Marciari-Alexander, This other Eden, paintings from the Yale Center for British Art , Yale Center for British Art, New Haven, CT, 1998, p. 52, no. 14, ND1314.3 Y36 1998 (YCBA)

Venetia Morrison, The art of George Stubbs, Wellfleet Press, Seacaucus, N.J., 1989, pp. 82-3, NJ18 St915 M67 1989+ (YCBA)

Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 7 (v. 1), no. 20, ND466 R68 1964/65 (YCBA) Also available on Microfiche: Fiche B214 (YCBA)

J. H. Plumb, The pursuit of happiness : a view of life in Georgian England : an exhibition selected from the Paul Mellon collection, , Yale Center for British Art, New Haven, 1977, pp. 66, 138, no. 169, N6766 Y34 1977 (YCBA)

Andrew Ritchee, English painters, Hogarth to Constable, lectures delivered April 9, 10, 11, 16, 17, 1940, at the Johns Hopkins University. , Johns Hopkins University Press, Baltimore, 1942, pl. 16, Jda42 A6 942R (LSF)

Royal Albert Memorial Museum, Loan exhibition of works by early Devon painters, born before the year 1800: July 14th to September 10th, 1932 , The Museum, Exeter, England, 1932, p. 59, ND469 D5 E83 (YCBA)

Sacheverell Sitwell, Conversation pieces, a survey of English domestic portraits and their painters , B.T. Batsford, London, 1936, pp. 74, 104-05;, fig. 86, ND1314 S5 1936 (YCBA)

Sotheby's sale catalogue : Fine Eighteenth and Nineteenth Century Drawings and Paintings : 29 May 1963, Sotheby's, London, May 29, 1963, p. 23 and opposite p. 23, lot. 56, Auction Catalogues (YCBA)

Roy C. Strong, The British portrait, 1660-1960, Antique Collectors' Club, Woodbridge, Suffolk, 1991, p. 66, pl. 61, ND1314 B743 1991 (YCBA)


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