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Creator:
John Constable, 1776–1837, British
Title:
Harnham Gate, Salisbury
Date:
between 1820 and 1821
Medium:
Oil on canvas
Dimensions:
Support (PTG): 20 x 20 inches (50.8 x 50.8 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1981.25.126
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
arch | autumn | church | figures | gate | spire | sunlight | town | tree
Associated Places:
England | Salisbury | Salisbury cathedral | United Kingdom | Wiltshire
Access:
Not on view
Exhibition History:
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Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)

John Constable - A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon (National Gallery of Art, 1969-04-30 - 1969-11-01)

Constable's England (Metropolitan Museum of Art, 1983-04-13 - 1983-09-04)

John Constable (The Yomiuri Shimbun, 1986-01 - 1986-06)

Publications:
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Malcolm Cormack, A Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 58-59, N590.2 A83 (YCBA)

Robert Hoozee, L'opera completa di Constable, 98, Rizzoli, Milano, Italy, 1979, p. 151, no. 651, NJ18 C74 A12 +H66 (YCBA)

John Constable, a selection of paintings from the Collection of Mr. and Mrs. Paul Mellon. , National Gallery of Art, Washington, DC, 1969, pp. 32-33, no. 28, NJ18 C74 U5 (YCBA)

Leslie Parris, The Later Paintings and Drawings of John Constable, Book Review , Burlington Magazine, Vol. 127, No.984, March 1985, p.. 166, N1 B87 + (YCBA)

Graham Reynolds, The later paintings and drawings of John Constable, Yale University Press, New Haven, CT, 1984, p. 87 (v.1), no. 21.75, pl. 278 (v.2), NJ18 C74 R485 + (YCBA)

Graham Reynolds, Constable's England, Metropolitan Museum of Art, New York, NY, 1983, pp. 102-03, No. 33, NJ18 C74 R496 (YCBA)

Charles Rhyne, Constable Drawings and Watercolors in the Collections of Mr. and Mrs. Paul Mellon and the Yale Center for British Art, Part I. Authentic Works , Master Drawings, vol. 19, Master Drawings Association, Inc., 1981, p. 140, not 2, NC1 M37 19 (YCBA)

Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 21 [v.1], no. 67, ND466 R68 1964/65 (YCBA) Also available on Microfiche: Fiche B214 (YCBA)

Painting in England 1700-1850, collection of Mr. & Mrs. Paul Mellon. , Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 79 (v.1),, no. 104, pl. 50 (v.2), ND466 V57 v.1-2 (YCBA)

Timothy Wilcox, Constable and Salisbury, the soul of landscape , Scala Publishers, London, UK, 2011, pp. 94-95, 97, fig. 81, NJ18.C74 W53 2011 Oversize (YCBA)

Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965. , vol. 1, W. Clowes and sons, New Haven, 1965, p. 9 (v.1), no. 31, ND466 Y35 (YCBA)

Link:
https://collections.britishart.yale.edu/catalog/tms:637
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