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Creator:
John Constable, 1776–1837, British
Title:
Lane near Dedham
Date:
1802
Medium:
Oil on canvas
Dimensions:
Support (PTG): 13 1/8 x 16 3/4 inches (33.3 x 42.5 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1981.25.130
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
cathedral | church | clouds | ground | house | laborers | landscape | path | sky | texture | town | trees | village | woods
Associated Places:
Dedham | England | Essex | United Kingdom
Access:
Not on view
Exhibition History:
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Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)

John Constable - A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon (National Gallery of Art, 1969-04-30 - 1969-11-01)

Constable's England (Metropolitan Museum of Art, 1983-04-13 - 1983-09-04)

John Constable (Tate) (Tate Britain, 1991-06 - 1991-09)

Publications:
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Brian Allen, The Sport of Collecting : Paul Mellon and British Art, Apollo, v.165,no.542, April 2007, pp. 35, 37, fig. 5, N1 A54 + (YCBA)

Malcolm Cormack, A Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 56-57, N590.2 A83 (YCBA)

Luke Herrmann, The Paul Mellon Collection at Burlington House, Connoisseur, v. 157, no. 634, December 1964, p. 221, N1 C75 + OVERSIZE (YCBA) Another copy available in YCBA Vertical File Collection: v 2334

Robert Hoozee, L'opera completa di Constable, 98, Rizzoli, Milano, Italy, 1979, pp. 89-90, no. 18, NJ18 C74 A12 +H66 (YCBA)

John Constable, a selection of paintings from the Collection of Mr. and Mrs. Paul Mellon. , National Gallery of Art, Washington, DC, 1969, pp. 12-13, no. 2, NJ18 C74 U5 (YCBA)

Leslie Parris, Constable, Tate Publishing, London, UK, 1991, pp.55,58..., no. 5, pl. 5, NJ18 C74 P372 1991 + (YCBA)

Graham Reynolds, The early paintings and drawings of John Constable, The Paul Mellon Centre for Studies in British Art, New Haven, 1996, p. 42 (v.1), no. 2.12, Pl. 160 [v.2], NJ18 C74 R484 1996 + (YCBA)

Graham Reynolds, Constable's England, Metropolitan Museum of Art, New York, NY, 1983, pp. 32-33, No. 1, NJ18 C74 R496 (YCBA)

Charles Rhyne, A Slide Collection of Constable Paintings, Visual Resources, V. 4, 1987, pp. 55-56, N4000 V57 (HAAS)

Michael Rosenthal, Constable, the painter and his landscape, Yale University Press, New Haven, CT, 1983, pp. 34,36, fig. 32, NJ18 C74 R68 OVERSIZE (YCBA)

Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 18 [v.1], no. 58, ND466 R68 1964/65 (YCBA) Also available on Microfiche: Fiche B214 (YCBA)

Alastair Smart, Constable and his country, Elek, London, 1976, p. 107, NJ18 C74 S62 (YCBA)

Ian St. John, Dedham : Constable country, Suffolk Walker, East Bergholt, 2005, p. 5, fig. 2, V 2535 (YCBA)

Basil Taylor, Constable, paintings, drawings and watercolours; , Phaidon, London, UK, 1973, p. 193, note 4, No. 5, NJ18 C74 T39 + (YCBA)

Painting in England 1700-1850, collection of Mr. & Mrs. Paul Mellon. , Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 71 (v.1), no. 88, pl. 48 (v.2), ND466 V57 v.1-2 (YCBA)

Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965. , vol. 1, W. Clowes and sons, New Haven, 1965, p. 6 (v.1), no. 22, ND466 Y35 (YCBA)

The Yale Center for British Art, An Anniversary Celebration of Paul Mellon's Great Legacy , Apollo, April 2007, p. 35, fig. 5, N5220 M552 A7 OVERSIZE (YCBA) Appeared as April 2007 issue of Apollo;; all of the articles may also be found in bound Apollo Volume [N1 A54 165:2 +]

Link:
https://collections.britishart.yale.edu/catalog/tms:641
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