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John Constable, 1776–1837, British

Dedham Vale

Former Title(s):

The Stour Valley

View of Dedham

Oil on canvas
Support (PTG): 13 1/8 x 16 3/8 inches (33.3 x 41.6 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
Paintings and Sculpture
Subject Terms:
brown | field | figure | hill | landscape | man | meadow | sitting | sky | towns | trees | village | woods
Associated Places:
Dedham | England | Essex | United Kingdom
Not on view

Ann Bermingham, Landscape and ideology, the English rustic tradition, 1740-1860 , Thames and Hudson, London, 1987, pp. 119-120, fig. 52, ND1354.4 B47 1987 (YCBA)

Malcolm Cormack, A Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 56-57, N590.2 A83 (YCBA)

Malcolm Cormack, Constable, Cambridge University Press, Cambridge, UK & New York, NY, 1986, pp. 2, 41, 43..., pl. 33, NJ18 C74 C75 OVERSIZE (YCBA)

Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 8, ND466 G67 (YCBA)

Louis Hawes, Presences of Nature : British Landscape, 1780-1830, , Yale Center for British Art, New Haven, CT, 1982, pp. 62, 169-70, no. IV.21, pl. 51, ND1354.4 H38 (YCBA)

Luke Herrmann, The Paul Mellon Collection at Burlington House, Connoisseur, v. 157, no. 634, December 1964, p. 221, N1 C75 + OVERSIZE (YCBA) Another copy available in YCBA Vertical File Collection: v 2334

Robert Hoozee, L'opera completa di Constable, 98, Rizzoli, Milano, Italy, 1979, pp. 89-90, no. 17, NJ18 C74 A12 +H66 (YCBA)

John Constable, a selection of paintings from the Collection of Mr. and Mrs. Paul Mellon. , National Gallery of Art, Washington, DC, 1969, pp. 12-13, no. 1, NJ18 C74 U5 (YCBA)

George Dunlop Leslie, John Constable, R.A., Art Journal, Virtue, London, January 1903, p. 8, Available online at British Periodicals II Article retrieved from British Periodicals II

Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 19 [v.1], no. 60, ND466 R68 1964/65 (YCBA) Also available on Microfiche: Fiche B214 (YCBA)

Painting in England 1700-1850, collection of Mr. & Mrs. Paul Mellon. , Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 71 (v.1), no. 87, pl. 48 (.v2), ND466 V57 v.1-2 (YCBA)

Leslie Parris, Constable, paintings, watercolours & drawings , Tate Publishing, London, UK, 1976, p. 50, no. 34, fig. 34b/w, NJ18 C74 P37 + (YCBA)

Leslie Parris, Constable, pictures from the exhibition , Tate Publishing, London, UK, 1991, p. 13, pl. 3, NJ18 C74 P373 1991 (YCBA)

Leslie Parris, Constable, Tate Publishing, London, UK, 1991, pp. 55, 58..., no. 4, pl. 4, NJ18 C74 P372 1991 + (YCBA)

Graham Reynolds, Constable, the natural painter, Panther, St. Albans, UK, 1976, pp. 26..., NJ18 C74 R48 1976 (YCBA)

Graham Reynolds, The early paintings and drawings of John Constable, The Paul Mellon Centre for Studies in British Art, New Haven, 1996, p. 42 (v.1), no. 2.11, Pl. 159 [v.2], NJ18 C74 R484 1996 + (YCBA)

Michael Rosenthal, Constable, Thames and Hudson, London, UK, 1987, pp. 35-39, figs. 22, 23, NJ18 C74 R683 (YCBA)

Michael Rosenthal, Constable, the painter and his landscape, Yale University Press, New Haven, CT, 1983, pp. 28, 30, fig. 25, NJ18 C74 R68 OVERSIZE (YCBA)

Basil Taylor, Constable, paintings, drawings and watercolours; , Phaidon, London, UK, 1973, p. 193, note 4, no. 4, NJ18 C74 T39 + (YCBA)

Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965. , vol. 1, W. Clowes and sons, New Haven, 1965, p. 7 (v.1), no. 24, ND466 Y35 (YCBA)

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