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Creator:
John Frederick Herring, 1795–1865, British
Title:

Harvest

Date:
1857
Medium:
Oil on canvas
Dimensions:
Support (PTG): 41 13/16 x 73 3/16 inches (106.2 x 185.9 cm)
Inscription(s)/Marks/Lettering:

Signed and dated, lower center: "J.F. Herring 1857"

Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1981.25.332
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
cart | field | harvest | hay | hill | horses (animals) | labor | landscape | nursing | pastoral | peasants | plough | wagon
Access:
Not on view
Link:
https://collections.britishart.yale.edu/catalog/tms:824
Export:
XML

Ann Bermingham, Landscape and ideology, the English rustic tradition, 1740-1860 , Thames and Hudson, London, 1987, pp. 191-93, fig. 88, ND1354.4 B47 1987 (YCBA)

Robert Blake, The English world, history, character, and people : texts , Thames and Hudson, London, 1982, p. 213, DA110 E59 + (YCBA)

Malcolm Cormack, A Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 114-115, N590.2 A83 (YCBA)

Malcolm Cormack, Country pursuits, British, American, and French sporting art from the Mellon collections in the Virginia Museum Of Fine Arts , Virginia Museum of Fine Arts, Richmond, Charlottesville, 2007, pp. 52-53, fig. 36, ND1383 G7 V57 2007 + OVERSIZE (YCBA)

Judy Egerton, British Sporting and Animal Paintings 1655-1867: A Catalogue, The Paul Mellon Collection , Tate Publishing, London, 1978, pp. 308-09, no. 333, ND1383 G7 B75 OVERSIZE (YCBA)

Robert Fountain, John Frederick Herring, Senior, 1795-1865, The British Sporting Art Trust, London Clifton, Virginia, 2002, no. 10, N8250 B751

Harvest, Apollo, February 1973, p. 5, N1 A54 + (YCBA)

Lionel Lambourne, The noble horse, man and horse in Western art history 4 April-26 May, 1998, Tokyo Metropolitan Teien Art Museum , Nihon Keizai Shimbun, Inc., Tokyo, 1998, pp. 81, 153, no. 40, pl. 40, N7668 H6 N6213 1998 (YCBA)

Christiana Payne, Murillo-Like Rags or Clean Pinafores, Artistic and Social Preferences in the Representation of the Rural Poor , Textile History, Vol. 33, No. 1, 2002, pp. 48-62, HD9850.1 T48 (SML)

Christiana Payne, Toil and plenty, images of the agricultural landscape in England, 1780-1890 , Yale Center for British Art, New Haven, 1993, pp. 60-1, 113-15, no. 29, pl. 17, ND1354.4 P39 1993 (YCBA)

Richard Green Advertisement, Apollo, v. 97, no. 132, February 1973, p. 5, N1 A54 + (YCBA)

Yale Center for British Art, Selected paintings, drawings & books, Yale University Press, New Haven, CT, 1977, p. 49, N590.2 A82 (YCBA)

Yale Center for British Art, Selected paintings, drawings & books, Yale University Press, New Haven, CT, 1977, p. 49, 715 Y18 977b (YCBA)


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