We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
302
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
303
James Gillray, 1756–1815
A Morning Ride
1804
304
James Gillray, 1756–1815
Evacuation Before Resignation
1782
305
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
306
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
307
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
308
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
309
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
310
James Gillray, 1756–1815
Hounds in Finding
1800
311
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
312
James Gillray, 1756–1815
Coming-In at the Death
1800
313
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
314
Print made by Joseph Brown, 19th century
James Gillray
1848
315
James Gillray, 1756–1815
Hounds Throwing-Off
1800
316
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
317
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
318
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
319
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"
1807
320
James Gillray, 1756–1815
Palemon and Lavinia
1805
321
James Gillray, 1756–1815
The Man of Feeling, in search of Indispensibles
1800
322
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
323
James Gillray, 1756–1815
Evacuation of Malta
1803
324
James Gillray, 1756–1815
A Masonic Anecdote
1786
325
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
326
James Gillray, 1756–1815
The Nabob Rumbled or a Lord Advocates Amusement
1783
327
James Gillray, 1756–1815
Gillray Caricatures
328
James Gillray, 1756–1815
Sawney in the Bog-House
1779
329
James Gillray, 1756–1815
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
330
James Gillray, 1756–1815
Junction of Parties
1783
331
James Gillray, 1756–1815
The Injured Countess
1786-1788
332
James Gillray, 1756–1815
Patience on a Monument
1791
333
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
334
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
335
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
336
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
337
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
338
James Gillray, 1756–1815
The Grand - Signior retiring
1796
339
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
340
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
341
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
342
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
343
James Gillray, 1756–1815
Duke William's Ghost
1799
344
James Gillray, 1756–1815
Playing in Parts
1801
345
James Gillray, 1756–1815
Visiting the Sick
1806
346
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
347
James Gillray, 1756–1815
Britania's Assassination or The Republican's Amusement
1782
348
James Gillray, 1756–1815
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
1798
349
James Gillray, 1756–1815
The Castle in the Moon
1782
350
James Gillray, 1756–1815
Wouski
1788
351
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
352
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
353
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
354
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
355
James Gillray, 1756–1815
The Fall of Phaeton
1788
356
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
357
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
358
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
359
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
360
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
361
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
362
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
363
James Gillray, 1756–1815
Wha Wants Me?
1792
364
James Gillray, 1756–1815
Brisk Cathartic
1804
365
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
366
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
367
James Gillray, 1756–1815
Fashionable Jockeyship
1796
368
James Gillray, 1756–1815
National Conveniences
1796
369
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
370
Print made by James Gillray, 1756–1815
Venus Attired by the Graces
1800
371
James Gillray, 1756–1815
Caricatures. London, 1782-1800
1782-1800
372
James Gillray, 1756–1815
Political Mathematician's Shaking the Broad Bottom'd Hemispheres
ca. 1811
373
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
374
James Gillray, 1756–1815
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
375
Possibly James Gillray, 1756–1815
James Gillray
376
James Gillray, 1756–1815
Blood on Thunder Fording the Red Sea
1788
377
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
378
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
379
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
380
James Gillray, 1756–1815
Pen-etration
1799
381
James Gillray, 1756–1815
Half Natural
1799
382
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
383
James Gillray, 1756–1815
Pillars of the Constitution - Three O'Clock and A Cloudy Morning
1809
384
James Gillray, 1756–1815
Overthrow of the Republican-Babel
1809
385
James Gillray, 1756–1815
True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard
1809
386
James Gillray, 1756–1815
Be gone Dull Care, I Prithee Begone From Me!
1801
387
James Gillray, 1756–1815
The French Consular Triumvicate Settling the New Constitution. With a Peep at the Constitutional-Pidgeon-Holes of the Abbe Seiyes - In the Back Ground
1797
388
James Gillray, 1756–1815
Captain Townshend
1800
389
James Gillray, 1756–1815
A Military Sketch of a Gift Stick, or Poker Emblazoned. (A Portrait of General Cathcart)
1800
390
James Gillray, 1756–1815
The Comforts of a Rumford Stove
1800
391
James Gillray, 1756–1815
Georgey in the Coal - Hole. (Colonel Hanger)
1800
392
James Gillray, 1756–1815
One of the Advantages of a Low Carriage
1801
393
James Gillray, 1756–1815
Symptoms of Deep Thinking: Sinking from Thought to Thought, a Vast Profound (Sir Charles Bunbury)
1800
394
James Gillray, 1756–1815
Lordly Elevation
1802
395
James Gillray, 1756–1815
A Bouquet of the Last Century
1802
396
James Gillray, 1756–1815
John Bull Baited by the Dogs of Excise
1790
397
James Gillray, 1756–1815
Amsterdam in a Dam'd Predicament, - or - The Last Scene of the Republican Pantomine
1787
398
James Gillray, 1756–1815
The Dissolution, - or - The Alchymist Producing An Aetherial Representation (Pitt)
1796
399
James Gillray, 1756–1815
The Giant - Factotum Amusing Himself (Pitt)
1797
400
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"