God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
205
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
206
James Gillray, 1756–1815
John Bull Ground Down
1795
207
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
208
James Gillray, 1756–1815
The Lover's Dream
1795
209
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
210
James Gillray, 1756–1815
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
1795
211
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
212
James Gillray, 1756–1815
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
213
James Gillray, 1756–1815
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
214
James Gillray, 1756–1815
The Tree of Liberty, - With The Devil Tempting John Bull (Fox)
1798
215
James Gillray, 1756–1815
Pylades & Orestes (Stadtholder & His Secretary)
1797
216
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
217
James Gillray, 1756–1815
The Death of the Great Wolf
1795
218
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
219
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
220
James Gillray, 1756–1815
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)
1798
221
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
222
Thomas Rowlandson, 1756–1827
Filial Piety
1788
223
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
224
James Gillray, 1756–1815
Patern-Staff - Weymouth
1797
225
James Gillray, 1756–1815
A Dash Up St. James's Street
1797
226
James Gillray, 1756–1815
United Irishmen in Training
1798
227
James Gillray, 1756–1815
Les Trois Magots
1791
228
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
229
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
230
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
231
James Gillray, 1756–1815
Hounds in Full-Cry
1800
232
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
233
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
234
James Gillray, 1756–1815
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy
1796
235
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
236
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
237
James Gillray, 1756–1815
A Morning Ride
1804
238
Charles Turner, 1774–1857
James Gillray
1819
239
James Gillray, 1756–1815
The Republican - Attack
1795
240
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
241
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
242
James Gillray, 1756–1815
The Legacy
1786
243
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
244
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
245
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
246
Print made by James Gillray, 1756–1815
The Sick Prince
1787
247
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
248
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
249
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
250
James Gillray, 1756–1815
The Tottering Pyramid
1784
251
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
252
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
253
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
254
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
255
James Gillray, 1756–1815
The English Regency
1789
256
James Gillray, 1756–1815
The Battle of Bow-Street
1788
257
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
258
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
259
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
260
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
261
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
262
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
263
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
264
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
265
James Gillray, 1756–1815
Hounds in Finding
1800
266
James Gillray, 1756–1815
Hounds Throwing-Off
1800
267
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
268
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
269
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
270
James Gillray, 1756–1815
Destruction of the French Collossus
1798
271
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
272
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
273
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
274
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
275
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
276
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
277
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
278
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
279
James Gillray, 1756–1815
A Hackney Meeting
1796
280
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
281
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
282
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
283
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
284
James Gillray, 1756–1815
Patience on a Monument
1791
285
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
286
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
287
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
288
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
289
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
290
James Gillray, 1756–1815
A Uniform Whig ---
1791
291
James Gillray, 1756–1815
The Royal Academy
1786
292
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
293
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
294
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
295
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
296
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
297
James Gillray, 1756–1815
The Triumphant Britons
1780
298
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
299
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
300
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch