Creator: Rowlandson, Thomas, 1756–1827 - YCBA Collections Search Search Results

401. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1786
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

402. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1786
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

403. An Essay on the Sublime and Beautiful, The Maiden Speech

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Etching, hand colored
Dimensions:: Sheet: 8 1/16 x 12 3/4in. (20.5 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

404. A Lying-In Visit, or a Short-Sighted Mistake

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

405. King's Place, or a View of (Monsieur Reynard's) Best Friends

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 1/16in. (22.2 x 33.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. Nap in the Country - Nap in Town

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 x 8 7/8in. (33 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

407. The Departure

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

408. Procession to the Hustings after a Successful Canvass

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 1/4in. (22.2 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

409. Sir Cecil's Budget for Paying the National Debt

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

410. False Courage

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Etching, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

411. Reformation - or - The Wonderful Effects of a Proclamation!!!

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 14 5/8in. (24.1 x 37.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

412. Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/8 x 11 3/4in. (20.6 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. (The) This Irish Ambassadors Extraordinary a Gallante(e) Show

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/4 x 14 1/8in. (23.5 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. The Minister's Ass - Vide Gazetteer - November 11

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 13 3/16in. (21.9 x 33.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. Uncle George and Black Dick at Their New Game of Naval Shuttlecock

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 13/16 x 13 1/8in. (22.4 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. Bardolph Badger'd Or the Portland Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 16 1/4in. (25.4 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. Medical Intelligence - Extraordinary - A Coronation in Pall Mall

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 14in. (21 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. Britania's Protection, or, Loyalty Triumphant

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

419. Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 12 3/4in. (24.4 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

420. An Irish Howl

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 11 3/4in. (22.5 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

421. A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 3/8 x 16 3/4in. (26.4 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. Reform Advised - Reform Begun - Reform Compleat (Complete)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1793
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 16 x 9 3/4in. (40.6 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 3/4 x 12 5/8in. (24.8 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

424. High Fun for John Bull or the Republicans put to their Last Shift

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 5/16 x 13 3/4in. (26.2 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. Gig-Hauling, or Gentlemanly Amusement for the Nineteenth Century

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 13 3/16in. (21.6 x 33.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. (The) A Grand Battle between the Famous English Cock and Russian Hen!

Creator:: Attributed to Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 7/8 x 15in. (27.6 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. The Prize Fight

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 18 1/8 x 27 3/8 inches (46 x 69.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. Stag at Bay - Scene near Taplow, Berks.

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1801
Materials & Techniques:: Watercolor with pen and red, black, gray and brown ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 5/16 x 20 5/8 inches (41.4 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. Lambeth Palace

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. The Monstrous Craw; or a New Discovered Animal

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1802
Materials & Techniques:: Etching and watercolor
Dimensions:: Sheet: 15 x 9 1/2in. (38.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara and Max Wilk, Yale BA 1941

431. The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 16 1/8in. (24.8 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

432. A Peep into the Retreat at Tinnehinch

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 1/4 x 9 15/16in. (18.4 x 25.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. An Imperial Stride!

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 3/16 x 14 11/16in. (28.4 x 37.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. Fox-hunting [a pair]: 1. Four O'Clock in the Country

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 x 11 3/4in. (22.9 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. Racing [set of six]: 1. Racing

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

436. Hare Hunting

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 9 11/16 x 13 5/8in. (24.6 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. Fox-hunting: How to Twist your Neck [from 'Advice to Sportsmen']

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Etching
Dimensions:: Sheet: 3 1/8 x 5 1/2in. (7.9 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. Racing [set of four]: The High Mettled Racer. 1. The Racehorse

Creator:: John Hassell, 1767–1825
Date:: 1789
Materials & Techniques:: Aquatint, hand-colored, with engraved titles and verses with aquatinted border
Dimensions:: Sheet: 13 3/4 x 17 1/2in. (34.9 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. Coaching: Paris Diligence

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1810
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 9 3/8 x 14in. (23.8 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. Set of eight with title-page. 'Foreign and Domestick Animals.' 1. The Baboon

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. Mr. H. Angelo's Fencing Academy

Creator:: Charles Rosenberg, active 1790–1820
Date:: 1791
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 7/8 x 19 3/4in. (32.7 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. Fox-hunting [one of a set of six]: The Dinner

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 15 1/2 x 20 3/8in. (39.4 x 51.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. Fox-hunting [set of four]: 1.Going Out in the Morning. / Scene near Windsor Forest

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored including borders
Dimensions:: Sheet: 14 3/4 x 19 5/8in. (37.5 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. Fox-Hunting [set of six]: 1. Going Out in the Morning

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/4 x 20 1/8in. (40 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. The Boxes: O woe is me, t' have seen what I have seen Seeing what I see.

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 15 1/2 x 9 3/4 inches (39.4 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Miss Edith Wetmore

446. Pass-Room Bridewell

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. Doctor Syntax, Rural Sports, from The Tour of Doctor Syntax in Search of the Picturesque

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813
Materials & Techniques:: Aquatint, colored
Dimensions:: Sheet: 5 3/4 x 9 1/4 inches (14.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Leatrice and Mervyn Schacht

448. Newgate Chapel

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

449. Corn Exchange

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. Society for the Encouragement of Arts, and &c. Adelphi

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1809
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. Cut Two and Right Protect

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. Water Engine, Cold-Bath-Field's Prison

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

453. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Creator:: Print made by William Angus, 1752–1821
Date:: 1793
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. Surrey Institution

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

455. Entrance from Mile End or White Chapel Turnpike

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

456. New Covent Garden Theatre

Creator:: John Bluck, active 1791–1831
Date:: 1810
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

457. Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

458. Quakers Meeting

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. Vauxhall Garden

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. Vauxhall

Creator:: unknown artist
Materials & Techniques:: Reproduction
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

461. Candlewick Ward Association

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

462. Dengate Ward Volunteer

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

463. The Detection

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: Etching and aquatint
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

464. Resurrection or the Frightened Nurse

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 3/4 x 14 1/2in. (29.8 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. An Execution Scene Outside Newgate

Creator:: unknown artist
Materials & Techniques:: Reproduction
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. St. Margarets, Westminster

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 1/4 x 8 5/8in. (28.6 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. Guildhall Examination of a Bankrupt before his Creditors

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

468. Common Council Chamber, Guildhall

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

469. Bartholomew Fair

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. Somerset House, Strand

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. Society for the Encouragement of Arts

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. Westminster Hall

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

473. Langbourn Ward Volunteer

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

474. St. Luke's Hospital

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

475. Debating Society, Piccadilly

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

476. A Touch of the Times

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 13 7/8in. (24.1 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

477. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 x 9in. (33 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

478. The Times

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1783
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 7/8 x 16 3/8in. (27.6 x 41.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

479. The Toper's Mistake

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 8 1/4in. (25.1 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

480. French Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 21 5/16 inches (41.9 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

481. English Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

482. Quae Genus on his Journey to London

Creator:: Print made by unknown artist
Date:: 1822
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 1/2 x 6in. (24.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

483. Flying Breakfast, or the Contents of a Night Coach

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 11/16 x 12 9/16in. (19.5 x 31.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

484. The Parody, - or Mother Cole and Leader

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 12 7/8in. (22.5 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

485. Witches in a Hayloft

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813?
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 9 1/4 x 13 inches (23.5 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

486. A Picture of Misery

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 9 5/8 x 13 3/4 inches (24.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

487. The Cobbler's Cure for a Scolding Wife

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: Etching on wove paper
Dimensions:: Sheet: 14 7/8 x 9 7/8 inches (37.8 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

488. Miseries Personal

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1807
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 11 x 14 1/2 inches (27.9 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection,Gift of Mrs. Paul Moore

489. Undertakers Regaling

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/16 × 21 inches (44 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

490. Encouragement of Arts &c, Adelphi

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 10 5/8 × 12 7/8 inches (27 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

491. The Hall and Stair Case, British Museum

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 5/8 × 10 inches (32.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

492. Water Engine, Cold-Bath-Fields Prison

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 1/8 x 9 1/4in. (28.3 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

493. Billingsgate Market

Creator:: after Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Hand colored aquatint on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 9 1/8 × 11 1/8 inches (23.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

494. Sessions House, Clerkenwell Green

Creator:: John Bluck, active 1791–1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 7/8 x 10in. (30.2 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

495. Chelsea Hospital

Creator:: John Bluck, active 1791–1831
Date:: 1810
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 x 10 9/16in. (22.9 x 26.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

496. Military College, Chelsea

Creator:: Thomas Sunderland, 1744–1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 x 12 3/4in. (27.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

497. Bishopsgate Volunteer

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 11 1/2 x 9 5/8in. (29.2 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

498. Vaux-Hall

Creator:: Robert Pollard, 1755–1838
Date:: 1785
Materials & Techniques:: Etching with aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/4 × 31 1/8 inches (55.2 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

499. The Bank

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Hand colored engraving on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

500. The Hall, Carlton House

Creator:: Augustus Charles Pugin, 1762–1832
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/16 × 12 1/8 inches (25.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Creator Rowlandson, Thomas, 1756–1827

Search Results

401. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---

402. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia

403. An Essay on the Sublime and Beautiful, The Maiden Speech

404. A Lying-In Visit, or a Short-Sighted Mistake

405. King's Place, or a View of (Monsieur Reynard's) Best Friends

406. Nap in the Country - Nap in Town

407. The Departure

408. Procession to the Hustings after a Successful Canvass

409. Sir Cecil's Budget for Paying the National Debt

410. False Courage

411. Reformation - or - The Wonderful Effects of a Proclamation!!!

412. Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance

413. (The) This Irish Ambassadors Extraordinary a Gallante(e) Show

414. The Minister's Ass - Vide Gazetteer - November 11

415. Uncle George and Black Dick at Their New Game of Naval Shuttlecock

416. Bardolph Badger'd Or the Portland Hunt

417. Medical Intelligence - Extraordinary - A Coronation in Pall Mall

418. Britania's Protection, or, Loyalty Triumphant

419. Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4)

420. An Irish Howl

421. A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends

422. Reform Advised - Reform Begun - Reform Compleat (Complete)

423. Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen

424. High Fun for John Bull or the Republicans put to their Last Shift

425. Gig-Hauling, or Gentlemanly Amusement for the Nineteenth Century

426. (The) A Grand Battle between the Famous English Cock and Russian Hen!

427. The Prize Fight

428. Stag at Bay - Scene near Taplow, Berks.

429. Lambeth Palace

430. The Monstrous Craw; or a New Discovered Animal

431. The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola

432. A Peep into the Retreat at Tinnehinch

433. An Imperial Stride!

434. Fox-hunting [a pair]: 1. Four O'Clock in the Country

435. Racing [set of six]: 1. Racing

436. Hare Hunting

437. Fox-hunting: How to Twist your Neck [from 'Advice to Sportsmen']

438. Racing [set of four]: The High Mettled Racer. 1. The Racehorse

439. Coaching: Paris Diligence

440. Set of eight with title-page. 'Foreign and Domestick Animals.' 1. The Baboon

441. Mr. H. Angelo's Fencing Academy

442. Fox-hunting [one of a set of six]: The Dinner

443. Fox-hunting [set of four]: 1.Going Out in the Morning. / Scene near Windsor Forest

444. Fox-Hunting [set of six]: 1. Going Out in the Morning

445. The Boxes: O woe is me, t' have seen what I have seen Seeing what I see.

446. Pass-Room Bridewell

447. Doctor Syntax, Rural Sports, from The Tour of Doctor Syntax in Search of the Picturesque

448. Newgate Chapel

449. Corn Exchange

450. Society for the Encouragement of Arts, and &c. Adelphi

451. Cut Two and Right Protect

452. Water Engine, Cold-Bath-Field's Prison

453. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

454. Surrey Institution

455. Entrance from Mile End or White Chapel Turnpike

456. New Covent Garden Theatre

457. Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel

458. Quakers Meeting

459. Vauxhall Garden

460. Vauxhall

461. Candlewick Ward Association

462. Dengate Ward Volunteer

463. The Detection

464. Resurrection or the Frightened Nurse

465. An Execution Scene Outside Newgate

466. St. Margarets, Westminster

467. Guildhall Examination of a Bankrupt before his Creditors

468. Common Council Chamber, Guildhall

469. Bartholomew Fair

470. Somerset House, Strand

471. Society for the Encouragement of Arts

472. Westminster Hall

473. Langbourn Ward Volunteer

474. St. Luke's Hospital

475. Debating Society, Piccadilly