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Materials & Techniques etching (printing process)

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Credit Line Yale Center for British Art, Paul Mellon Fund

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Genre marine art

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1. Marine Dabblers

Marine Dabblers
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 1/2 inches (24.1 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. The Boatmen

The Boatmen
Creator:
Print made by Sir Frank William Brangwyn, 1867–1956
Date:
1906
Materials & Techniques:
Etching on medium, slightly textured, brown wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. The Celebrated Victory ... on the Glorious First of June 1794

The Celebrated Victory ... on the Glorious First of June 1794
Creator:
Print made by Daniel Orme, 1766–1837
Date:
1795
Materials & Techniques:
Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 7/8 × 23 1/4 inches (50.5 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. Hon. George Cranfield Berkeley

Hon. George Cranfield Berkeley
Creator:
Print made by Henry Birche, active 1790–1795
Date:
1793
Materials & Techniques:
Mezzotint with etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 27 × 19 1/8 inches (68.6 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. Calais Pier

Calais Pier
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
after 1832
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 19 1/2 inches (34.3 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. Berwick; Printed with Counterproof of Dundee

Berwick; Printed with Counterproof of Dundee
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1890
Materials & Techniques:
Etching printed in brown ink over two counterproofs, engraver's proof; verso etching counterproof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 inches (19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. Seine Boats, St. Ives, Cornwall

Seine Boats, St. Ives, Cornwall
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1888
Materials & Techniques:
Etching on wove paper
Dimensions:
Sheet: 5 7/8 × 8 inches (14.9 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Breaking up of the 'Great Eastern' #2

Breaking up of the 'Great Eastern' #2
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1890
Materials & Techniques:
Etching on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 9 7/8 inches (19.4 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. In Port, Volendam

In Port, Volendam
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1892
Materials & Techniques:
Etching on laid paper
Dimensions:
Sheet: 6 × 8 inches (15.2 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. Bouvignes and Dinant

Bouvignes and Dinant
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 11 3/4 inches (22.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. Old Tower, Leith

Old Tower, Leith
Creator:
Print made by John Clerk of Eldin, 1728–1812
Date:
undated
Materials & Techniques:
Etching with pen and brown ink and gray wash on moderately thick, textured, beige laid paper
Dimensions:
Sheet: 2 1/2 × 4 1/8 inches (6.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund