A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
104
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
105
James Gillray, 1756–1815
Dumourier Dining in State at St. James on the 15th of May 1793
1793
106
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
107
James Gillray, 1756–1815
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform
1788
108
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
109
James Gillray, 1756–1815
Monstrous Craws, At a New Coalition Feast
1787
110
James Gillray, 1756–1815
Ancient Music
1787
111
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
112
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
113
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
114
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
115
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
116
James Gillray, 1756–1815
The Royal-Bull-Fight
1795
117
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
118
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
119
James Gillray, 1756–1815
Jack A Both Sides!
1783
120
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
121
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
122
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
123
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
124
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
125
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
126
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
127
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
128
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
129
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
130
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
131
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
132
James Gillray, 1756–1815
The Royal Academy
1786
133
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
134
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
135
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
136
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
137
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
138
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
139
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
140
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
141
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
142
James Gillray, 1756–1815
The Soliloquy
1782
143
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
144
James Gillray, 1756–1815
Evacuation Before Resignation
1782
145
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
146
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
147
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
148
James Gillray, 1756–1815
Destruction of the French Collossus
1798
149
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
150
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
151
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
152
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
153
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
154
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
155
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
156
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
157
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
158
James Gillray, 1756–1815
Independence
1799
159
James Gillray, 1756–1815
A Man of Importance
1799
160
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
161
James Gillray, 1756–1815
A Hackney Meeting
1796
162
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
163
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
164
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
165
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
166
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
167
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
168
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
169
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
170
James Gillray, 1756–1815
Patience on a Monument
1791
171
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
172
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
173
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
174
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
175
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
176
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
177
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
178
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
179
James Gillray, 1756–1815
Freedom (France) - Slavery (Britain)
1789
180
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
181
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
182
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
183
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
184
Thomas Rowlandson, 1756–1827
Filial Piety
1788
185
James Gillray, 1756–1815
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy
1796
186
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
187
James Gillray, 1756–1815
United Irishmen in Training
1798
188
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
189
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
190
James Gillray, 1756–1815
The Republican - Hercules Defending His Country
1797
191
James Gillray, 1756–1815
The Death of the Great Wolf
1795
192
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
193
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
194
James Gillray, 1756–1815
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
195
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
196
James Gillray, 1756–1815
What a Cur ' tis
1795
197
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
198
James Gillray, 1756–1815
The Royal Society
1786
199
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes