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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Creator Turner, J. M. W. (Joseph Mallord William), 1775–1851

Remove constraint Creator: Turner, J. M. W. (Joseph Mallord William), 1775–1851

Collective Title Picturesque Views in England and Wales

Remove constraint Collective Title: Picturesque Views in England and Wales

Search Results

1. Exeter

Exeter
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/2 × 22 1/2 inches (41.9 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Exeter

Exeter
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Etching and line engraving, graphite and scratching out; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Folkestone: Harbour, and Coast to Dover, Kent
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1831
Materials & Techniques:
Line engraving, 3rd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tynemouth, Northumberland
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Salisbury, Wiltshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1830
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Catherine's Hill, near Guildford, Surrey
Creator:
Print made by James H. Kernot, active early 19th century
Date:
1832
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Catherine's Hill, near Guildford, Surrey
Creator:
Print made by James H. Kernot, active early 19th century
Date:
1832
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Longships Lighthouse, Lands End
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, 1st published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 3/8 × 22 inches (41.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Flint Castle, North Wales
Creator:
Print made by James H. Kernot, active early 19th century
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Durham Cathedral
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Okehampton, Devonshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1827-1838
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 15 1/2 inches (29.2 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Winchelsea, Sussex
Creator:
Print made by Josiah Henshall, 1806–1869
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Mawes, Cornwall
Creator:
Print made by James H. Kernot, active early 19th century
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof, completed
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Trematon Castle, Cornwall
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Mawes, Cornwall
Creator:
Print made by James H. Kernot, active early 19th century
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Walton Bridge on Thames, Surrey
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ludlow Castle, Shropshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Walton Bridge on Thames, Surrey
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ludlow Castle, Shropshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bedford, Bedfordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Warwick Castle, Warwickshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1832
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Warwick Castle, Warwickshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1832
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ashby de la Zouch, Leicestershire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kenilworth Castle, Warwickshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ely Cathedral, Cambridgeshire
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1833
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Laugharne Castle, Caermarthenshire
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Laugharne Castle, Caermarthenshire
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1833
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coventry, Warwickshire
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1833
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coventry, Warwickshire
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof, touched with graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coventry, Warwickshire
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1833
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carew Castle, Pembroke
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Llandberis Lake, Wales
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Longships Lighthouse, Land's End
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, engraver's proof (negative)
Dimensions:
Sheet: 6 1/2 x 10in. (16.5 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Worcester, Worcestershire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched with graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Longships Lighthouse, Lands End
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, open etching negative
Dimensions:
Sheet: 10 x 13in. (25.4 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ullswater, Cumberland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lyme Regis, Norfolk
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1836
Materials & Techniques:
Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lyme Regis
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harlech Castle, North Wales
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harlech Castle, North Wales
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harlech Castle, North Wales
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harlech Castle, North Wales
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harlech Castle, North Wales
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harlech Castle, North Wales
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Keswick Lake, Cumberland
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1837
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kidwelly Castle, South Wales
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1837
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kidwelly Castle, South Wales
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1837
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Keswick Lake, Cumberland
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1837
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Winander-Mere, Westmoreland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1837
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Winander-Mere, Westmoreland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1837
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Whitehaven, Cumberland
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1837
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Winander-Mere, Westmoreland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Whitehaven, Cumberland
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1837
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Winander-Mere, Westmoreland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1837
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crickieth Castle, North Wales
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1837
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond Terrace, Surrey
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1838
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond Terrace, Surrey
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1838
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond Terrace, Surrey
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mount St. Michael, Cornwall
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1838
Materials & Techniques:
Line engraving, engraver's proof (touched)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mount St. Michael, Cornwall
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching; early engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 3/8 × 22 1/4 inches (41.6 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching and line engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 12 1/4 inches (25.1 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; early engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/2 × 22 3/4 inches (41.9 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Launceston, Cornwall
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 7/8 × 22 3/8 inches (42.9 × 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Launceston, Cornwall
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 3/4 × 22 5/8 inches (42.5 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Launceston, Cornwall
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; early engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Barnard Castle, Durham
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 5/8 × 18 1/8 inches (32.1 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with graphite; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 9 3/4 inches (17.8 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Barnard Castle, Durham
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/2 × 22 1/4 inches (41.9 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof (I) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmouth Cove
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lancaster from the Aqueduct Bridge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; later engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lancaster from the Aqueduct Bridge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 7/8 × 14 3/8 inches (30.2 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rievaulx Abbey, Yorkshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aldborough, Suffolk
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 7/8 × 22 5/8 inches (42.9 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Straits of Dover
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Prudoe Castle, Northumberland
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/2 × 22 1/2 inches (41.9 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Valle Crucis Abbey, Denbighshire
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 7/8 × 22 5/8 inches (42.9 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Prudoe Castle, Northumberland
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 50 × 22 1/2 inches (127 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Buckfastleigh Abbey, Devonshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 3/4 × 22 1/4 inches (42.5 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Fowey Harbour, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 7/8 × 22 1/2 inches (42.9 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Trematon Castle, Cornwall
Creator:
Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (touched)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond Hill and Bridge, Surrey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1832
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bedford, Bedfordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bolton Abbey, Yorkshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aldborough, Suffolk
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 3/8 × 22 1/2 inches (41.6 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Orford, Suffolk
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aldborough, Suffolk
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Etching and line engraving, with graphite; touched engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Straits of Dover
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; early engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Orford, Suffolk
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827-1838
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Fowey Harbour, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/4 × 12 1/2 inches (26 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Valle Crucis Abbey, Denbighshire
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 3/8 × 22 5/8 inches (41.6 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Buckfastleigh Abbey, Devonshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, beige wove paper with cream chine-collé
Dimensions:
Sheet: 13 × 15 1/4 inches (33 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Okehampton, Devonshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1827-1838
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 5/8 × 22 1/2 inches (42.2 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lancaster Sands
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, beige wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/2 × 22 1/2 inches (41.9 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Knaresborough, Yorkshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 × 16 1/2 inches (30.5 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Malmsbury Abbey, Wiltshire
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hampton Court Palace
Creator:
Print made by Charles Westwood, active 1819–1838
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection