Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
1798
303
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
304
James Gillray, 1756–1815
The Royal Society
1786
305
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
306
James Gillray, 1756–1815
What a Cur ' tis
1795
307
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
308
James Gillray, 1756–1815
Love's Last Shift
1787
309
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
310
James Gillray, 1756–1815
The Prodigal Son
1787
311
James Gillray, 1756–1815
Les Trois Magots
1791
312
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
313
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
314
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
315
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
316
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
317
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
318
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
319
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
320
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
321
James Gillray, 1756–1815
The Introduction
1791
322
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
323
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified
1792
324
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
325
James Gillray, 1756–1815
The Sleep-Walker
1795
326
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
327
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
328
James Gillray, 1756–1815
The Bridal-Night
1797
329
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
330
James Gillray, 1756–1815
The Republican - Attack
1795
331
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
332
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
333
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
334
James Gillray, 1756–1815
Destruction of the French Collossus
1798
335
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
336
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
337
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
338
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
339
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
340
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
341
James Gillray, 1756–1815
Independence
1799
342
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
343
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
344
James Gillray, 1756–1815
A Portrait ------------
1799
345
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
346
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
347
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
348
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
349
James Gillray, 1756–1815
A Hackney Meeting
1796
350
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
351
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
352
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
353
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
354
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
355
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
356
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
357
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
358
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
359
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
360
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
361
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
362
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
363
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
364
James Gillray, 1756–1815
A Man of Importance
1799
365
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
366
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
367
James Gillray, 1756–1815
Patience on a Monument
1791
368
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
369
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
370
Print made by James Gillray, 1756–1815
Venus Attired by the Graces
1800
371
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
372
James Gillray, 1756–1815
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
373
James Gillray, 1756–1815
Political Mathematician's Shaking the Broad Bottom'd Hemispheres
ca. 1811
374
Possibly James Gillray, 1756–1815
James Gillray
375
James Gillray, 1756–1815
Caricatures. London, 1782-1800
1782-1800
376
James Gillray, 1756–1815
A Prince of the Old School (Boothby Clopton)
1800
377
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
378
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
379
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
380
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
381
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
382
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
383
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
384
James Gillray, 1756–1815
The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)
1800
385
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
386
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
387
James Gillray, 1756–1815
Half Natural
1799
388
James Gillray, 1756–1815
An Old English-Gentleman pester'd by Servants wanting Places
1809
389
James Gillray, 1756–1815
Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!
1808
390
James Gillray, 1756–1815
Captain Townshend
1800
391
James Gillray, 1756–1815
A Military Sketch of a Gift Stick, or Poker Emblazoned. (A Portrait of General Cathcart)
1800
392
James Gillray, 1756–1815
Liliputian Substitutes, Equiping for Public Services
1801
393
James Gillray, 1756–1815
A Welsh Tandem
1801
394
James Gillray, 1756–1815
To Skiffy - Skipt on, With His Wonted Grace. Vide Birthday Ball
1800
395
James Gillray, 1756–1815
The Comforts of a Rumford Stove
1800
396
James Gillray, 1756–1815
Georgey in the Coal - Hole. (Colonel Hanger)
1800
397
James Gillray, 1756–1815
One of the Advantages of a Low Carriage
1801
398
James Gillray, 1756–1815
Symptoms of Deep Thinking: Sinking from Thought to Thought, a Vast Profound (Sir Charles Bunbury)