Illustrations to the Travels of Lord Valentia: Volume 2 - View of the South Quarter, Motha
1802-1803
212
Henry Salt, 1780–1827
Illustrations of the Travels of Lord Valentia: Two Volumes
1802-1806
213
Charles Hamilton Smith, 1776–1859
Views of Northern Europe, Volume I
undated
214
Charles Hamilton Smith, 1776–1859
Views of Northern Europe, Volume II
undated
215
Charles Hamilton Smith, 1776–1859
Views of Spain, Volume II
undated
216
Charles Hamilton Smith, 1776–1859
Views of England and Wales, Volume I
undated
217
Charles Heath, 1785–1848
Time holding a Lithographic Stone
1804
218
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew
ca. 1831
219
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross
ca. 1831
220
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend
ca. 1831
221
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat
ca. 1831
222
David Scott, 1806–1849
Christian, Accompanied by Discretion, Piety, Charity and Prudence
ca. 1831
223
unknown artist
Seated Man with Standing Woman and Two Children
undated
224
Thomas Sibson, 1817–1844
Detail of : A Saxon Slave-Market
undated
225
Thomas Sibson, 1817–1844
Saxon Pagans and Christians
1844
226
Thomas Sibson, 1817–1844
A Saxon Slave-Market
undated
227
Thomas Sibson, 1817–1844
A Saxon Slave Market
undated
228
Thomas Sibson, 1817–1844
Detail from Saxon Hospitality
undated
229
Thomas Sibson, 1817–1844
Saxon Hospitality
1843
230
Thomas Sibson, 1817–1844
A School Room
undated
231
Thomas Sibson, 1817–1844
Danes Attacking the Coast
undated
232
Thomas Sibson, 1817–1844
Circulation
undated
233
Thomas Sibson, 1817–1844
Our Own Time
undated
234
Thomas Sibson, 1817–1844
Two Profiles, Man and Woman
undated
235
Thomas Sibson, 1817–1844
The Love Match, No. 1
undated
236
Thomas Sibson, 1817–1844
The "Love Match" No 5
undated
237
Thomas Sibson, 1817–1844
The Love Match, No. 6
undated
238
Thomas Sibson, 1817–1844
Praying in Church
undated
239
Thomas Sibson, 1817–1844
Study of Three Hands
undated
240
Thomas Sibson, 1817–1844
Torturing the Prisoners
undated
241
Thomas Sibson, 1817–1844
The Artist's Bedroom
undated
242
unknown artist
Edington Church
ca. 1825
243
unknown artist
Edington Church, Wiltshire, England
ca. 1825
244
unknown artist
Edington Church, Wiltshire, England
ca. 1825
245
unknown artist
In Stoke Gardens
ca. 1825
246
unknown artist
Erlestoke House and Park
ca. 1825
247
unknown artist
On the Road to Erlestoke
ca. 1825
248
unknown artist
Erlestoke Looking West
ca. 1825
249
unknown artist
Architectural Plans for Edington Church, Wiltshire
ca. 1825
250
unknown artist
Chancel of Edington Church
ca. 1825
251
unknown artist
Interior of Edington Church
ca. 1825
252
Thomas Creswick, 1811–1869
Etchings for the Art Union of London by the Etching Club: The Old Bridge, Number 1
253
John Frederick Tayler, 1802–1889
Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8
254
Richard Ansdell, 1815–1885
Etchings for the Art Union of London by the Etching Club: The Anxious Mother, Number 10
255
James Clarke Hook, 1819–1907
Etchings for the Art Union of London by the Etching Club: Dort, The Birthplace of Cuyp, Number 11
256
John Frederick Tayler, 1802–1889
Etchings for the Art Union of London by the Etching Club: Dogs and Wild Boar, Number 12
257
Print made by J. A. Poulter, active 1840–1881
The Break of Day – Bury Church Huntingdon
1881
258
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
259
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
260
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
261
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
262
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
263
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
264
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
265
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
266
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
267
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
268
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
269
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
270
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
271
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
272
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
273
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
274
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
275
unknown artist
Seated Girl Watching Parrot (Volume of 102 Lithographs)
276
unknown artist
Young woman in gown, "To Mrs. Kemble" (Volume of 102 Lithographs)
277
Richard James Lane, 1800–1872
A Girl at her Studies (Volume of 102 Lithographs)
1826
278
Print made by William Sharp, active 1819–ca. 1837
Miss Adelaide Campbell, daughter of Lady Charlotte Bury (Volume of 102 lithographs)
1834
279
Print made by William Sharp, active 1819–ca. 1837
Master Williams Wynn (Volume of 102 lithographs)
1830
280
Richard James Lane, 1800–1872
Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)
1827
281
Richard James Lane, 1800–1872
Love, Jealously, Revenge and Despair
1827
282
Richard James Lane, 1800–1872
The Origin of a Painter (Volume of 102 lithographs)
283
Richard James Lane, 1800–1872
The Duchess of Kent (Volume of 102 lithographs)
1829
284
unknown artist
Man with Folded Hands (Volume of 102 lithographs)
285
Richard James Lane, 1800–1872
Captain G. F. Lyon (Volume of 102 lithographs)
286
Richard James Lane, 1800–1872
Impudence/ Impudence (Volume of 102 lithographs)
1827
287
Richard James Lane, 1800–1872
The Faithful Friend (Volume of 102 lithographs)
1828
288
John Hayter, 1800–1895
Act 2nd Scene 12 (Volume of 102 lithographs)
289
unknown artist
Young Boy on Ship's Rigging (Volume of 102 lithographs)
290
unknown artist
A Perspective View of the Castle of St. Angelo & Elian Bridge with part of the City of Rome