A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
102
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
103
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
104
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
105
James Gillray, 1756–1815
Freedom (France) - Slavery (Britain)
1789
106
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
107
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
108
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
109
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
110
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
111
James Gillray, 1756–1815
Destruction of the French Collossus
1798
112
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
113
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
114
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
115
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
116
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
117
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
118
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
119
James Gillray, 1756–1815
The Triumphant Britons
1780
120
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
121
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
122
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
123
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
124
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
125
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
126
James Gillray, 1756–1815
The Legacy
1786
127
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
128
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
129
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
130
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
131
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
132
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
133
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
134
James Gillray, 1756–1815
A Democrat, - or - Reason and Philosophy
1793
135
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
136
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
137
James Gillray, 1756–1815
Dumourier Dining in State at St. James on the 15th of May 1793
1793
138
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
139
James Gillray, 1756–1815
Wha Wants Me?
1792
140
James Gillray, 1756–1815
The Finishing Touch
1791
141
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
142
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified
1792
143
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
144
James Gillray, 1756–1815
The Bridal-Night
1797
145
James Gillray, 1756–1815
The Sleep-Walker
1795
146
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
147
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
148
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
149
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
150
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
151
James Gillray, 1756–1815
Monstrous Craws, At a New Coalition Feast
1787
152
James Gillray, 1756–1815
Malagrida, Driving Post
153
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
154
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
155
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
156
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
157
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
158
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
159
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
160
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
161
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
162
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
163
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
164
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
165
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
166
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
167
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
168
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
169
James Gillray, 1756–1815
A Man of Importance
1799
170
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
171
James Gillray, 1756–1815
Independence
1799
172
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
173
James Gillray, 1756–1815
A Portrait ------------
1799
174
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
175
James Gillray, 1756–1815
A Hackney Meeting
1796
176
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
177
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
178
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
179
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
180
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
181
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
182
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
183
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
184
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
185
James Gillray, 1756–1815
The Friendly Agent
1787
186
James Gillray, 1756–1815
The Bubbles of Opposition
1788
187
James Gillray, 1756–1815
John Bull Triumphant
1780
188
James Gillray, 1756–1815
Jack A Both Sides!
1783
189
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
190
James Gillray, 1756–1815
The Soliloquy
1782
191
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
192
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
193
Print made by James Gillray, 1756–1815
The Sick Prince
1787
194
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
195
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris