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Clock Tower, St. Alban's Abbey
Creator:
Henry Edridge, 1769–1821
Date:
1801
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 7 7/8 inches (26.4 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Monnow, Monmouth
Creator:
Henry Edridge, 1769–1821
Date:
undated
Materials & Techniques:
Watercolor, white gouache, and graphite with scratching out on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Archiepiscopal Palace, Wrotham, Kent
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor, and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 7 5/8 x 8 3/4 inches (19.4 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for St. David, Pantasaph, Flintshire. East Elevation
Creator:
Thomas Henry Wyatt, 1807–1880
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink, watercolor on slightly textured, moderately thick, brown wove paper
Dimensions:
Sheet: 6 9/16 × 5 3/8 inches (16.7 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Beinecke Rare Book and Manuscript Library
Italian Landscape (after Titian)
Creator:
John Evelyn, 1620–1706
Date:
1656
Materials & Techniques:
Pen and brown ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 11 7/8 inches (19.4 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Putney Church and Bridge
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1772
Materials & Techniques:
Watercolor with gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 1/4 x 12 inches (23.5 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection