Creator: Hogarth, William, 1697–1764 - YCBA Collections Search Search Results

201. Untitled

Creator:: Samuel Ireland, active 1760–died 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

202. George Lambart

Creator:: Samuel Ireland, active 1760–died 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

203. The Election. Plate 2. Canvassing for Votes.

Creator:: T. E. Nicholson, active early 19th century
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

204. Industry and Idleness

Creator:: Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

205. Hudibras

Creator:: Thomas Cook, 1744–1818
Date:: 1808
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

206. Plate 12, The Industrious 'Prentice Lord-Mayor of London

Creator:: Print made by F. F. Walker, active 1805–1836
Date:: 1833
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 3/4 inches (20.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

207. The Enraged Musician

Creator:: Thomas Cook, 1744–1818
Date:: 1806
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

208. Canvassing for Votes, Plate II

Creator:: Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

209. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

210. George Lambart

Creator:: Samuel Ireland, active 1760–died 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

211. Arms of the Cutchess of Kendal

Creator:: Samuel Ireland, active 1760–died 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

212. The Election. Plate 2. Canvassing for Votes.

Creator:: T. E. Nicholson, active early 19th century
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

213. The Election Plate I. - Humours of an election entertainment

Creator:: T. E. Nicholson, active early 19th century
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

214. The Election Plate I. Humours of an election entertainment

Creator:: T. E. Nicholson, active early 19th century
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

215. First Design for the Enraged Musician

Creator:: unknown artist
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

216. The Enraged Musician

Creator:: E. Stalker, active 1801–1823
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

217. Hudibras Vanquish'd by Trussa

Creator:: Thomas Cook, 1744–1818
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

218. Garrick in the Green Room

Creator:: William Ward, 1766–1826
Date:: 1829
Materials & Techniques:: Mezzotint on moderately thick, smooth, cream wove paper mounted on canvas
Dimensions:: Sheet: 22 7/8 × 27 inches (58.1 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

219. Polling at the Hustings

Creator:: Thomas Cook, 1744–1818
Date:: 1808
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

220. Blackwell's Military Figures, Plate I, Pikemen

Creator:: Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

221. Political Caricature: "The Spiritualists"

Creator:: Anthony Walker, 1726–1765
Date:: undated
Materials & Techniques:: Gray wash and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 10 1/2 inches (22.9 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. The Royal Sport, Pit Ticket

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gouache on ivory
Dimensions:: Image: 5 1/8 x 6 11/16 inches (13 x 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Melville and Naomi Stone

223. A Woman Swearing her Child to a Grave Citizen

Creator:: Print made by John Young, 1755–1825
Date:: 1816
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 23 1/4 inches (47.6 × 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

224. A Midnight Modern Conversation

Creator:: Print made by Elisha Kirkall, ca. 1682–1742
Date:: ca. 1733, printed after 1779
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 17 3/4 inches (37.1 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

225. Mary Stuart, Queen Of Scotland

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1803
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Shrimps!

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. John Wilkes Esq.

Creator:: Thomas Cook, 1744–1818
Date:: 1800
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Chauncey B. Tinker, B.A. 1899

228. David Garrick in the Character of Richard III

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1798
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 18 3/8 x 22 3/4in. (46.7 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971

229. Hogarth

Creator:: Charles Townley, 1746–c.1800
Date:: 1781
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Shakespear Chair

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Etching, tone left on plate
Dimensions:: Image: 6 1/2 x 1 1/2in. (16.5 x 3.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

231. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

232. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

233. The Four Times of Day, Plate III: Evening

Creator:: Bernard Baron, 1696–1762
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 7/8 x 14 3/4in. (45.4 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

235. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

236. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

237. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

238. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

239. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

240. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

241. Members of a Society of Artists that Existed About 1730

Creator:: Richard Sawyer, active 1820–1830
Date:: ca. 1829
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 3/8 x 13 1/2in. (28.9 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Rosamond's Pond

Creator:: Merigot, active 1772–1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. View in St. James's Park showing Rosamond's Pond

Creator:: F. Ross, active 1840
Date:: 1840
Materials & Techniques:: Hand colored lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. A Representation of the March of the Guards towards Scotland in the Year 1745 (from: Caricature, vol. 5)

Creator:: Luke Sullivan, 1705–1771
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 1/4 x 21 3/8in. (41.3 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Mr. Garrick in the Charakter (sic) of Richard the 3D

Creator:: Charles Grignion, 1717–1810
Date:: 1746
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/8 x 19 3/4in. (38.4 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled

Creator:: Luke Sullivan, 1705–1771
Date:: 1752
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 x 19 3/4in. (38.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. The Pool of Bethesda

Creator:: Simon François Ravenet, 1706–1774
Date:: 1772
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 x 22 5/8 inches (49.2 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. The Good Samaritan

Creator:: Simon François Ravenet, 1706–1774
Date:: 1772
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 22 1/2 inches (48.9 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Canvassing for Votes, Plate II

Creator:: Print made by Charles Grignion, 1717–1810
Date:: 1755-1758
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 7/8 x 21 1/8in. (40.3 x 53.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Sir James Thornhill

Creator:: Samuel Ireland, active 1760–died 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. William Hogarth

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: undated
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 10 7/16 x 7 7/8 inches (26.5 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Wm. Hogarth died Octr. 26th 1764 Aged 67

Creator:: Samuel Ireland, active 1760–died 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Marriage a la Mode. Scene with the Quack.

Creator:: Charles Mottram, 1807–1876
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Burning the Rumps, Temple Bar

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Marriage A-La-Mode, Plate III: The Scene with the Quack

Creator:: Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Marriage A-La-Mode, Plate I: The Contract

Creator:: Gerard Jean Baptiste Scotin, 1671–1716
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/16 x 18 7/16in. (38.6 x 46.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Marriage A-La-Mode, Plate II: The Breakfast Scene

Creator:: Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Marriage A-La-Mode, Plate IV: The Toilet Scene

Creator:: Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 7/8 x 17 5/8in. (35.2 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Marriage A-La-Mode, Plate V: The Death of the Earl

Creator:: Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 7/8 x 17 5/8in. (35.2 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Marriage A-La-Mode, Plate VI: The Death of the Countess

Creator:: Gerard Jean Baptiste Scotin, 1671–1716
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/2 x 18 1/4in. (39.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Daniel Lock, Esqr.

Creator:: James McArdell, ca. 1729–1765
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 3/4 x 10in. (34.9 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Vauxhall

Creator:: James Stow, ca. 1770–after 1820
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Scene at a Banking House in 1745

Creator:: Print made by J. Barlow, active 1791
Date:: 1799
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

264. The Battle of the Pictures

Creator:: Print made by unknown artist
Date:: 1870
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

265. The Altar Piece of St. Clements Danes, Strand: A Fac Similie of Hogarths own Engraving

Creator:: Print made by unknown artist
Date:: ca. 1860
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

266. Arms of the Dutchess of Kendal

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

267. Tail Piece to the Artist's Catalogue, 1761

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

268. Ex Libris of George Lambert

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1791
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

269. Frontispiece to the Artist's Catalogue, 1761

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

270. Frontispiece to the Artist's Catalogue

Creator:: Print made by unknown artist
Date:: 1850
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

271. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

272. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

273. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

274. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

275. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

276. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

277. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

278. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

279. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

280. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

281. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

282. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

283. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

284. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

285. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

286. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

287. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

288. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

289. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

290. Plate II, Halberd Men

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

291. Plate II, Halberd Men

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

292. Plate I, Pikemen

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

293. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

294. Specimens of Beaver's Military Punishments, 1725

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

295. The Invasion, Plate I, France

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

296. Humours of an Election Entertainment

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

297. Canvassing for Votes

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

298. Humours of an Election Entertainment

Creator:: Print made by T. E. Nicholson, active early 19th century
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

299. Polling at the Hustings

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1808
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

300. Polling at the Hustings

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1808
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

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Creator Hogarth, William, 1697–1764

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201. Untitled

202. George Lambart

203. The Election. Plate 2. Canvassing for Votes.

204. Industry and Idleness

205. Hudibras

206. Plate 12, The Industrious 'Prentice Lord-Mayor of London

207. The Enraged Musician

208. Canvassing for Votes, Plate II

209. Design for a New Order of Architecture

210. George Lambart

211. Arms of the Cutchess of Kendal

212. The Election. Plate 2. Canvassing for Votes.

213. The Election Plate I. - Humours of an election entertainment

214. The Election Plate I. Humours of an election entertainment

215. First Design for the Enraged Musician

216. The Enraged Musician

217. Hudibras Vanquish'd by Trussa

218. Garrick in the Green Room

219. Polling at the Hustings

220. Blackwell's Military Figures, Plate I, Pikemen

221. Political Caricature: "The Spiritualists"

222. The Royal Sport, Pit Ticket

223. A Woman Swearing her Child to a Grave Citizen

224. A Midnight Modern Conversation

225. Mary Stuart, Queen Of Scotland

226. Shrimps!

227. John Wilkes Esq.

228. David Garrick in the Character of Richard III

229. Hogarth

230. Shakespear Chair

231. Design for a New Order of Architecture

232. Design for a New Order of Architecture

233. The Four Times of Day, Plate III: Evening

234. Design for a New Order of Architecture

235. Design for a New Order of Architecture

236. Design for a New Order of Architecture

237. Design for a New Order of Architecture

238. Design for a New Order of Architecture

239. Design for a New Order of Architecture

240. Design for a New Order of Architecture

241. Members of a Society of Artists that Existed About 1730

242. Rosamond's Pond

243. View in St. James's Park showing Rosamond's Pond

244. A Representation of the March of the Guards towards Scotland in the Year 1745 (from: Caricature, vol. 5)

245. Mr. Garrick in the Charakter (sic) of Richard the 3D

246. And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled

247. The Pool of Bethesda

248. The Good Samaritan

249. Canvassing for Votes, Plate II

250. Sir James Thornhill

251. William Hogarth

252. Wm. Hogarth died Octr. 26th 1764 Aged 67

253. Marriage a la Mode. Scene with the Quack.

254. Burning the Rumps, Temple Bar

255. Marriage A-La-Mode, Plate III: The Scene with the Quack

256. Marriage A-La-Mode, Plate I: The Contract

257. Marriage A-La-Mode, Plate II: The Breakfast Scene

258. Marriage A-La-Mode, Plate IV: The Toilet Scene

259. Marriage A-La-Mode, Plate V: The Death of the Earl

260. Marriage A-La-Mode, Plate VI: The Death of the Countess

261. Daniel Lock, Esqr.

262. Vauxhall

263. Scene at a Banking House in 1745

264. The Battle of the Pictures

265. The Altar Piece of St. Clements Danes, Strand: A Fac Similie of Hogarths own Engraving

266. Arms of the Dutchess of Kendal

267. Tail Piece to the Artist's Catalogue, 1761

268. Ex Libris of George Lambert

269. Frontispiece to the Artist's Catalogue, 1761

270. Frontispiece to the Artist's Catalogue

271. A Third Modern Military Punishment

272. A Third Modern Military Punishment

273. A Third Modern Military Punishment

274. A Third Modern Military Punishment

275. A Third Modern Military Punishment