Britania's Assassination..or - The Republican Amuseument
1782
9
James Gillray, 1756–1815
Scene le Vrog House
1782
10
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
11
James Gillray, 1756–1815
Anticipation, or the approaching fate of the French commercial treaty
1787
12
Print made by James Gillray, 1756–1815
Every Man has his Hobby Horse
1784
13
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
14
James Gillray, 1756–1815
Les Membres du Conseil des Cinq Cents. French Habits No. 3
1798
15
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
16
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
17
James Gillray, 1756–1815
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
1798
18
James Gillray, 1756–1815
Junction of Parties
1783
19
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
20
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
21
James Gillray, 1756–1815
The Fall of Phaeton
1788
22
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
23
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
24
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
25
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
26
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
27
James Gillray, 1756–1815
Wha Wants Me?
1792
28
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
29
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
30
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
31
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
32
James Gillray, 1756–1815
National Conveniences
1796
33
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
34
James Gillray, 1756–1815
The Soliloquy
1782
35
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
36
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
37
James Gillray, 1756–1815
The Legacy
1786
38
Print made by James Gillray, 1756–1815
The Sick Prince
1787
39
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
40
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
41
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
42
James Gillray, 1756–1815
The Battle of Bow-Street
1788
43
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
44
James Gillray, 1756–1815
The English Regency
1789
45
Thomas Rowlandson, 1756–1827
Filial Piety
1788
46
James Gillray, 1756–1815
John Bull at His Studies. Attended by His Guardian Angell
1799
47
James Gillray, 1756–1815
The Republican - Attack
1795
48
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
49
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
50
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
51
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
52
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
53
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
54
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
55
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
56
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
57
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
58
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
59
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
60
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
61
James Gillray, 1756–1815
Independence
1799
62
James Gillray, 1756–1815
A Man of Importance
1799
63
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
64
James Gillray, 1756–1815
A Portrait ------------
1799
65
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
66
James Gillray, 1756–1815
A Hackney Meeting
1796
67
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
68
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
69
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
70
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
71
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
72
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
73
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
74
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
75
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
76
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
77
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
78
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
79
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
80
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
81
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
82
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
83
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
84
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
85
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
86
James Gillray, 1756–1815
Jack A Both Sides!
1783
87
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
88
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
89
James Gillray, 1756–1815
John Bull Triumphant
1780
90
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
91
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
92
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
93
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
94
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
95
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
96
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
97
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
98
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
99
James Gillray, 1756–1815
Freedom (France) - Slavery (Britain)
1789
100
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family