The York Reverence; - or - City - Loyalty Amply Rewarded
1791
102
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
103
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
104
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
105
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
106
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
107
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
108
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
109
James Gillray, 1756–1815
The Battle of Bow-Street
1788
110
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
111
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
112
Print made by James Gillray, 1756–1815
The Sick Prince
1787
113
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
114
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
115
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
116
James Gillray, 1756–1815
The English Regency
1789
117
James Gillray, 1756–1815
The Legacy
1786
118
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
119
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
120
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
121
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
122
James Gillray, 1756–1815
The Tottering Pyramid
1784
123
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
124
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
125
James Gillray, 1756–1815
A Morning Ride
1804
126
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
127
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
128
James Gillray, 1756–1815
Destruction of the French Collossus
1798
129
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
130
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
131
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
132
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
133
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
134
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
135
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
136
James Gillray, 1756–1815
A Man of Importance
1799
137
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
138
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
139
James Gillray, 1756–1815
Independence
1799
140
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
141
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
142
James Gillray, 1756–1815
A Portrait ------------
1799
143
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
144
James Gillray, 1756–1815
A Hackney Meeting
1796
145
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
146
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
147
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
148
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
149
James Gillray, 1756–1815
The Royal Academy
1786
150
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
151
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
152
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
153
James Gillray, 1756–1815
The Soliloquy
1782
154
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
155
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
156
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
157
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
158
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
159
James Gillray, 1756–1815
Ancient Music
1787
160
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
161
James Gillray, 1756–1815
The Finishing Touch
1791
162
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
163
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
164
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified
1792
165
James Gillray, 1756–1815
The Sleep-Walker
1795
166
James Gillray, 1756–1815
The Bridal-Night
1797
167
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
168
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
169
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
170
James Gillray, 1756–1815
The Royal-Bull-Fight
1795
171
James Gillray, 1756–1815
Hounds in Full-Cry
1800
172
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
173
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
174
James Gillray, 1756–1815
The Prodigal Son
1787
175
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
176
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
177
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
178
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
179
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
180
Charles Turner, 1774–1857
James Gillray
1819
181
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
182
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
183
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
184
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
185
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
186
James Gillray, 1756–1815
Charming-well again
1804
187
James Gillray, 1756–1815
Gentle Emetic
1804
188
James Gillray, 1756–1815
Breathing a vein
1804
189
James Gillray, 1756–1815
Taking Physick
1800
190
James Gillray, 1756–1815
Wha Wants Me?
1792
191
James Gillray, 1756–1815
Bonus / Mellior / Optimus
1783
192
James Gillray, 1756–1815
The Minister In / The Minister Out
1782
193
James Gillray, 1756–1815
A New Administration, or the State Quacks Administering
1783
194
James Gillray, 1756–1815
Egyptian Sketches
1799
195
James Gillray, 1756–1815
Light Expelling Darkness
1795
196
James Gillray, 1756–1815
The Pigs Possessed
1807
197
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
198
James Gillray, 1756–1815
New Morality
1798
199
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse