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Creator Gillray, James, 1756–1815

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James Gillray The York Reverence; - or - City - Loyalty Amply Rewarded
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
James Gillray The Noble Sans - Culotte
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
James Gillray The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
James Gillray The Dagger Scene: - or - The Plot Discover'd
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
James Gillray Mason, The Duke's Confectioner Disposing of the Trinkets
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
James Gillray Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
James Gillray The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
James Gillray A Modern Cherub, - Vide Peters
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
James Gillray The Battle of Bow-Street
James Gillray, 1756–1815
The Battle of Bow-Street
1788
James Gillray The Butchers of Freedom
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
James Gillray The Dutch Divisions
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
James Gillray The Sick Prince
Print made by James Gillray, 1756–1815
The Sick Prince
1787
James Gillray The (Prince's) Nursery or Nine Months After
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
James Gillray The Funeral Procession of Miss Regency
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
James Gillray The Doctor Indulged with his Favorite Scene ---
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
James Gillray The English Regency
James Gillray, 1756–1815
The English Regency
1789
James Gillray The Legacy
James Gillray, 1756–1815
The Legacy
1786
James Gillray The Loves of the Fox and the Badger, - or The Coalition Wedding
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
James Gillray The Loves of the Fox and the Badger, - or The Coalition Wedding
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
James Gillray Swearing to the Cutting Monster or - A Scene in Bow Street
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
James Gillray The Fall of Dagon - or Rare News for Leaden-Hall Street
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
James Gillray The Tottering Pyramid
James Gillray, 1756–1815
The Tottering Pyramid
1784
James Gillray John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
unknown artist We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
James Gillray A Morning Ride
James Gillray, 1756–1815
A Morning Ride
1804
James Gillray Fatal Effect of the French Defeat - Hanging (and) Drowning
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
James Gillray Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
James Gillray Destruction of the French Collossus
James Gillray, 1756–1815
Destruction of the French Collossus
1798
James Gillray Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended...
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
James Gillray Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
James Gillray Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
James Gillray New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
James Gillray The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
James Gillray Field Marshall Count Suwarrow-Rominskoy ---
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
James Gillray The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
James Gillray A Man of Importance
James Gillray, 1756–1815
A Man of Importance
1799
James Gillray The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
James Gillray Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
James Gillray Independence
James Gillray, 1756–1815
Independence
1799
James Gillray The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
James Gillray Homer Singing His Verses to the Greeks
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
James Gillray A Portrait ------------
James Gillray, 1756–1815
A Portrait ------------
1799
James Gillray Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
James Gillray A Hackney Meeting
James Gillray, 1756–1815
A Hackney Meeting
1796
James Gillray The Grand-Signior Retiring
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
James Gillray Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
James Gillray Fashionable - Jockeyship
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
James Gillray A Natural Crop; - Alias - A Norfolk Dumpling
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
James Gillray The Royal Academy
James Gillray, 1756–1815
The Royal Academy
1786
James Gillray Two New Sliders for the State Magic Lanthern
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
James Gillray The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
James Gillray The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
James Gillray The Soliloquy
James Gillray, 1756–1815
The Soliloquy
1782
James Gillray Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
James Gillray Paille d'Avoine - Paille d'Avoine
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
James Gillray Miss, I Have a Monstrous Crow to Pluck with You!
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
James Gillray The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
James Gillray Dido Forsaken, Sic Transit Gloria Regimae
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
James Gillray Ancient Music
James Gillray, 1756–1815
Ancient Music
1787
James Gillray The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
James Gillray The Finishing Touch
James Gillray, 1756–1815
The Finishing Touch
1791
James Gillray La Derniere Resource; - or - Van-Buchells
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
James Gillray A Sphere, Projecting against a Plane ---
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
James Gillray The National Assembly Petrified _________/The National Assembly Revivified
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified
1792
James Gillray The Sleep-Walker
James Gillray, 1756–1815
The Sleep-Walker
1795
James Gillray The Bridal-Night
James Gillray, 1756–1815
The Bridal-Night
1797
James Gillray An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
James Gillray The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
James Gillray Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
James Gillray The Royal-Bull-Fight
James Gillray, 1756–1815
The Royal-Bull-Fight
1795
James Gillray Hounds in Full-Cry
James Gillray, 1756–1815
Hounds in Full-Cry
1800
James Gillray The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
James Gillray Shakespeare Sacrificed; or, The Offering to Avarice
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
James Gillray The Prodigal Son
James Gillray, 1756–1815
The Prodigal Son
1787
James Gillray Blindmans-Buff - or - Too Many for John Bull
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
unknown artist Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
James Gillray Sophia, Honour, and the Chambermaid
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
James Gillray The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
Charles Turner James Gillray
Charles Turner, 1774–1857
James Gillray
1819
James Gillray A Cognocenti Contemplating ye Beauties of ye Antique
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
James Gillray INTEGRITY retiring from Office
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
James Gillray A Standing-dish at Boodles
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
James Gillray French Democrats surprizing the Royal Runaways
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
James Gillray A Scotch Poney - commonly call'd a Galloway
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
James Gillray Charming-well again
James Gillray, 1756–1815
Charming-well again
1804
James Gillray Gentle Emetic
James Gillray, 1756–1815
Gentle Emetic
1804
James Gillray Breathing a vein
James Gillray, 1756–1815
Breathing a vein
1804
James Gillray Taking Physick
James Gillray, 1756–1815
Taking Physick
1800
James Gillray Wha Wants Me?
James Gillray, 1756–1815
Wha Wants Me?
1792
James Gillray Bonus / Mellior / Optimus
James Gillray, 1756–1815
Bonus / Mellior / Optimus
1783
James Gillray The Minister In / The Minister Out
James Gillray, 1756–1815
The Minister In / The Minister Out
1782
James Gillray A New Administration, or the State Quacks Administering
James Gillray, 1756–1815
A New Administration, or the State Quacks Administering
1783
James Gillray Egyptian Sketches
James Gillray, 1756–1815
Egyptian Sketches
1799
James Gillray Light Expelling Darkness
James Gillray, 1756–1815
Light Expelling Darkness
1795
James Gillray The Pigs Possessed
James Gillray, 1756–1815
The Pigs Possessed
1807
James Gillray Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
James Gillray New Morality
James Gillray, 1756–1815
New Morality
1798
James Gillray Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
1798
James Gillray Doublûres of Characters
James Gillray, 1756–1815
Doublûres of Characters
1798