Genre: still life / Image Available: Available / Subject Terms: landscape - YCBA Collections Search Search Results

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Genre still life

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Subject Terms landscape

1. May 1955 (Gwithian)

May 1955 (Gwithian)

Creator:: Ben Nicholson, 1894–1982
Date:: 1955
Materials & Techniques:: Oil on canvas
Dimensions:: 41 3/4 x 41 3/4 inches (106 x 106 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Jan 20 1948 (still life, Newlyn)

Jan 20 1948 (still life, Newlyn)

Creator:: Ben Nicholson, 1894–1982
Date:: 1948
Materials & Techniques:: Oil on canvas, laid on board
Dimensions:: 31 3/4 x 20 1/4 inches (80.6 x 51.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Mineral Objects

Mineral Objects

Creator:: Paul Nash, 1889–1946
Date:: 1935
Materials & Techniques:: Oil on canvas
Dimensions:: 19 3/4 x 23 3/4 inches (50.2 x 60.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

4. Sea-verge

Creator:: Edward Wadsworth, 1889–1949
Date:: 1943
Materials & Techniques:: Tempera on board
Dimensions:: 25 x 35 inches (63.5 x 88.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

5. A Foliated Branch

A Foliated Branch

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 7 7/8 x 6 1/4 inches (20 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. A Group of Trees by a Fence

A Group of Trees by a Fence

Creator:: John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 7 3/4 inches (25.1 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching and color woodcut on thick, smooth, cream wove paper
Dimensions:: Sheet: 7 5/16 × 4 13/16 inches (18.5 × 12.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. High Park

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1868
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 7 3/16 inches (25.7 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Yale Stevens from her father's (Richard Sharpe V, B.S. 1873) Collection

9. The Mill-Wheel

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1874
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 x 12 1/16 inches (25 x 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Emerson Tuttle in memory of Theodore Sizer, transfer from the Yale University Art Gallery

10. Autumn

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1922
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 13/16 x 8 3/4 inches (27.5 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

11. Italian sketchbook

Italian sketchbook

Creator:: Richard Wilson, 1713/4–1782
Date:: 1754
Materials & Techniques:: Graphite with white and black chalk on medium, rough, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 1/4 inches (28.3 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection