Credit Line: Yale Center for British Art, Paul Mellon Fund / Image Use: Free to Use

3201. America. To those, who wish to Sheathe the Desolating Sword of War. And, to Restore the Blessings of Peace and Amity, to a Divided People.

Creator:: Print made by Joseph Strutt, 1749–1802
Date:: 1781
Materials & Techniques:: Stipple engraving printed in brown ink
Dimensions:: Sheet: 19 × 24 inches (48.3 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3202. The Opening of New London Bridge

Creator:: David Cox, 1783–1859
Date:: 1831
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 14 1/2 inches (21.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3203. Dover

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint, etching, graphite, and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 15 1/2 inches (29.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3204. Sir John Fielding, As Chairman of the Quarter Sessions for the City of Westminster

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1778
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 15 1/2 inches (53.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3205. St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1822
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 16 7/8 inches (30.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3206. Rocks at Colgong on the Ganges

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1836
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 1/8 inches (29.2 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3207. Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore

Creator:: Print made by Samuel Fisher, 1806–1851
Date:: between 1821 and 1851
Materials & Techniques:: Etching and line engraving, with graphite and white chalk; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 1/8 inches (29.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3208. Oxford from North Hinksey

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1841
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 21 1/4 inches (39.1 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3209. Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

Creator:: Attributed to John Hassell, 1767–1825
Date:: 1810
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 6 7/8 x 5 9/16in. (17.5 x 14.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3210. Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

Creator:: Attributed to John Hassell, 1767–1825
Date:: 1810
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 6 7/8 x 5 9/16in. (17.5 x 14.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3211. Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

Creator:: Attributed to John Hassell, 1767–1825
Date:: 1810
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 6 7/8 x 5 9/16in. (17.5 x 14.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3212. A Group of Thirteen Drawings of Hands

Creator:: Sir Peter Lely, 1618–1680
Date:: 1650s-1660s
Materials & Techniques:: Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 14 × 11 3/8 inches (35.6 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3213. A Boy Blowing Soap Bubbles

Creator:: John Russell, 1745–1806
Date:: 1800
Materials & Techniques:: Pastel on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 24 × 18 inches (61 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3214. Drawing of a Hand Holding a Blossom

Creator:: unknown artist
Date:: 1650s-1660s
Materials & Techniques:: Black chalk and white chalk on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 9 1/2 × 10 3/8 inches (24.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3215. Drawing of a Hand

Creator:: unknown artist
Date:: 1650s-1660s
Materials & Techniques:: Black chalk and white chalk on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 8 1/4 × 10 7/8 inches (21 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3216. Colonel Donald MacLeod of St. Kilda

Creator:: Charles Shirreff, ca. 1750–1829
Date:: undated
Materials & Techniques:: Watercolor and white gouache on ivory in original gold frame; lock of hair and miniature metal weapons on back
Dimensions:: Frame: 3 × 2 3/8 × 1/4 inches (7.6 × 6 × 0.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3217. Tivoli: Classical Composition

Creator:: George Barret Jr., 1767–1842
Date:: between 1820 and 1830
Materials & Techniques:: Watercolor over graphite, touched with white gouache and scraping out on wove paper mounted on stretcher
Dimensions:: Sheet: 27 7/8 x 40 3/16in. (70.8 x 102.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3218. Classical Landscape

Creator:: Bernard Lens III, 1682–1740
Date:: 1717
Materials & Techniques:: Gouache and gum arabic on vellum
Dimensions:: Sheet: 7 5/8 × 10 1/4 inches (19.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3219. Portrait of a Man Wearing a Turban

Creator:: Thomas Frye, 1710–1762
Date:: between 1760 and 1762
Materials & Techniques:: Black chalk, white chalk, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 17 × 13 1/8 inches (43.2 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3220. Pevensey Bay, Sussex

Creator:: Henry George Hine, 1811–1895
Date:: 1868
Materials & Techniques:: Watercolor, gouache, and graphite with scraping out on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 28 1/4 inches (29.2 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3221. Wild flowers worth notice : being a selection from the British flora of some of our native plants, which are most attractive from their beauty, uses, or associations / by Mrs. Lankester ; fully illustrated by J.E. Sowerby.

Wild flowers worth notice : being a selection from the British flora of some of our native plants, which are most attractive from their beauty, uses, or associations / by Mrs. Lankester ; fully illustrated by J.E. Sowerby.

Creator:: Lankester, Phebe, 1825–1900
Date:: 1861
Physical Description:: xiv, 138, [2] p., [8] leaves of plates : col. ill. ; 17 cm.
Collection:: Rare Books and Manuscripts
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3222. Spooner's transformations.

Date:: 1838 [-39]
Physical Description:: col. plates : 29 cm.
Collection:: Rare Books and Manuscripts
Credit Line:: Yale Center for British Art, Paul Mellon Fund

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3201. America. To those, who wish to Sheathe the Desolating Sword of War. And, to Restore the Blessings of Peace and Amity, to a Divided People.

3202. The Opening of New London Bridge

3203. Dover

3204. Sir John Fielding, As Chairman of the Quarter Sessions for the City of Westminster

3205. St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)

3206. Rocks at Colgong on the Ganges

3207. Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore

3208. Oxford from North Hinksey

3209. Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

3210. Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

3211. Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

3212. A Group of Thirteen Drawings of Hands

3213. A Boy Blowing Soap Bubbles

3214. Drawing of a Hand Holding a Blossom

3215. Drawing of a Hand

3216. Colonel Donald MacLeod of St. Kilda

3217. Tivoli: Classical Composition

3218. Classical Landscape

3219. Portrait of a Man Wearing a Turban

3220. Pevensey Bay, Sussex

3221. Wild flowers worth notice : being a selection from the British flora of some of our native plants, which are most attractive from their beauty, uses, or associations / by Mrs. Lankester ; fully illustrated by J.E. Sowerby.

3222. Spooner's transformations.