John Bull at His Studies. Attended by His Guardian Angell
1799
2
James Gillray, 1756–1815
Freedom (France) - Slavery (Britain)
1789
3
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
4
James Gillray, 1756–1815
The Legacy
1786
5
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
6
Print made by James Gillray, 1756–1815
The Sick Prince
1787
7
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
8
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
9
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
10
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
11
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
12
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
13
James Gillray, 1756–1815
Le Coup de Maitre
1797
14
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
15
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
16
James Gillray, 1756–1815
A Hackney Meeting
1796
17
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
18
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
19
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
20
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
21
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
22
James Gillray, 1756–1815
The Royal Academy
1786
23
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
24
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
25
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
26
James Gillray, 1756–1815
The Friendly Agent
1787
27
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
28
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
29
James Gillray, 1756–1815
The Bubbles of Opposition
1788
30
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
31
James Gillray, 1756–1815
Hounds in Full-Cry
1800
32
Thomas Rowlandson, 1756–1827
Filial Piety
1788
33
James Gillray, 1756–1815
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy
1796
34
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
35
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
36
James Gillray, 1756–1815
Meeting of - Unfortunate Citoyens. " Dismay of Two Disgraced Patriots"
1798
37
James Gillray, 1756–1815
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
1791
38
James Gillray, 1756–1815
The Tree of Liberty, - With The Devil Tempting John Bull (Fox)
1798
39
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
40
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
41
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
42
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
43
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
44
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
45
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
46
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
47
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
48
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
49
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
50
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
51
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
52
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
53
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
54
James Gillray, 1756–1815
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
55
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
56
James Gillray, 1756–1815
Dumourier Dining in State at St. James on the 15th of May 1793
1793
57
James Gillray, 1756–1815
French Liberty - British Slavery
1792
58
James Gillray, 1756–1815
Louis XVI Taking Leave of His Wife and Family
1793
59
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
60
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
61
James Gillray, 1756–1815
The Bottomless-Pitt
1792
62
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
63
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
64
James Gillray, 1756–1815
The Finishing Touch
1791
65
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
66
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
67
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
68
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
69
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
70
unknown artist
Four Figures on a Sheet
undated
71
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
72
James Gillray, 1756–1815
Evacuation Before Resignation
1782
73
James Gillray, 1756–1815
The Republican - Attack
1795
74
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
75
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
76
James Gillray, 1756–1815
A Portrait ------------
1799
77
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
78
James Gillray, 1756–1815
Independence
1799
79
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
80
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
81
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
82
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
83
James Gillray, 1756–1815
Patience on a Monument
1791
84
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
85
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
86
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
87
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
88
James Gillray, 1756–1815
A Uniform Whig ---
1791
89
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
90
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
91
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
92
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
93
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
94
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
95
James Gillray, 1756–1815
John Bull Triumphant
1780
96
James Gillray, 1756–1815
The Triumphant Britons
1780
97
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
98
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
99
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
100
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc