The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
4
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
5
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
6
James Gillray, 1756–1815
A Morning Ride
1804
7
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
8
James Gillray, 1756–1815
The Republican - Attack
1795
9
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
10
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
11
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
12
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
13
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
14
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
15
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
16
James Gillray, 1756–1815
Dumourier Dining in State at St. James on the 15th of May 1793
1793
17
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
18
James Gillray, 1756–1815
A Democrat, - or - Reason and Philosophy
1793
19
James Gillray, 1756–1815
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
20
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
21
James Gillray, 1756–1815
French Liberty - British Slavery
1792
22
James Gillray, 1756–1815
The Introduction
1791
23
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
24
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
25
James Gillray, 1756–1815
French Democrats Surprizing the Royal-Runaways
1791
26
James Gillray, 1756–1815
The Bottomless-Pitt
1792
27
James Gillray, 1756–1815
Malagrida, Driving Post
28
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
29
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
30
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
31
George Moutard Woodward, ca. 1760–1809
A Minute Regulation of the Opera Step
undated
32
unknown artist
Four Figures on a Sheet
undated
33
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
34
Charles Williams, active 1796–1830
The Union Club
undated
35
George Moutard Woodward, ca. 1760–1809
Spy's Taken at Greenwich on Easter Monday
undated
36
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
37
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
38
James Gillray, 1756–1815
Destruction of the French Collossus
1798
39
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
40
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
41
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
42
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
43
James Gillray, 1756–1815
Independence
1799
44
James Gillray, 1756–1815
A Hackney Meeting
1796
45
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
46
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
47
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
48
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
49
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
50
James Gillray, 1756–1815
A Uniform Whig ---
1791
51
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
52
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
53
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
54
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
55
James Gillray, 1756–1815
John Bull Triumphant
1780
56
James Gillray, 1756–1815
The Triumphant Britons
1780
57
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
58
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
59
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
60
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
61
James Gillray, 1756–1815
Jack A Both Sides!
1783
62
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
63
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
64
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
65
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
66
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
67
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
68
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
69
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
70
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
71
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
72
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
73
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
74
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
75
James Gillray, 1756–1815
A Portrait ------------
1799
76
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
77
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
78
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
79
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
80
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
81
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
82
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
83
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
84
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
85
James Gillray, 1756–1815
Patience on a Monument
1791
86
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
87
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
88
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
89
James Gillray, 1756–1815
The Friendly Agent
1787
90
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
91
James Gillray, 1756–1815
The Bubbles of Opposition
1788
92
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
93
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
94
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
95
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
96
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
97
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
98
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
99
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
100
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---