Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
202
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
203
James Gillray, 1756–1815
Presages of the Millenium
1795
204
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
205
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
206
James Gillray, 1756–1815
Love's Last Shift
1787
207
James Gillray, 1756–1815
What a Cur ' tis
1795
208
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
209
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
210
James Gillray, 1756–1815
The Prodigal Son
1787
211
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
212
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
213
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
214
James Gillray, 1756–1815
Les Trois Magots
1791
215
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
216
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
217
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
218
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
219
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
220
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
221
James Gillray, 1756–1815
John Bull Ground Down
1795
222
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
223
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
224
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
225
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
226
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
227
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
228
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
229
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
230
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
231
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
232
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
233
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
234
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
235
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
236
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
237
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
238
James Gillray, 1756–1815
Independence
1799
239
James Gillray, 1756–1815
A Man of Importance
1799
240
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
241
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
242
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
243
James Gillray, 1756–1815
A Portrait ------------
1799
244
James Gillray, 1756–1815
A Hackney Meeting
1796
245
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
246
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
247
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
248
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
249
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
250
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
251
James Gillray, 1756–1815
The Friendly Agent
1787
252
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
253
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
254
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
255
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
256
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
257
James Gillray, 1756–1815
The Bubbles of Opposition
1788
258
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
259
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
260
James Gillray, 1756–1815
John Bull Triumphant
1780
261
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
262
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
263
James Gillray, 1756–1815
The Soliloquy
1782
264
Print made by Joseph Brown, 19th century
James Gillray
1848
265
James Gillray, 1756–1815
Coming-In at the Death
1800
266
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
267
James Gillray, 1756–1815
Hounds in Finding
1800
268
James Gillray, 1756–1815
Hounds Throwing-Off
1800
269
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
270
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
271
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
272
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
273
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
274
James Gillray, 1756–1815
Destruction of the French Collossus
1798
275
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
276
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
277
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
278
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
279
James Gillray, 1756–1815
Patience on a Monument
1791
280
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
281
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
282
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
283
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
284
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
285
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
286
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
287
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
288
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
289
James Gillray, 1756–1815
A Uniform Whig ---
1791
290
James Gillray, 1756–1815
The Royal Academy
1786
291
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
292
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
293
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
294
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
295
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
296
James Gillray, 1756–1815
The Triumphant Britons
1780
297
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
298
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
299
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves