Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
157
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
158
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
159
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
160
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
161
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
162
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
163
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
164
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
165
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
166
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
167
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
168
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
169
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
170
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
171
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
172
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
173
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
174
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
175
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
176
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
177
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
178
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
179
Prints made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
180
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
181
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
182
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
183
William Blake, 1757–1827
May-Day in London
1784
184
William Blake, 1757–1827
Beggar's Opera, Act III
1790
185
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
186
Print made by W. R. Smith, active 1819–1851
Tynemouth, Northumberland
1827-1838
187
Print made by William John Cooke, 1797–1865
Plymouth, Devonshire
1832
188
Print made by William Radclyffe, 1780–1855
Salisbury, Wiltshire
1830
189
Print made by James H. Kernot, active early 19th century
St. Catherine's Hill, near Guildford, Surrey
1832
190
Print made by James H. Kernot, active early 19th century
St. Catherine's Hill, near Guildford, Surrey
1832
191
Print made by James H. Kernot, active early 19th century