The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
2
George Moutard Woodward, ca. 1760–1809
A Minute Regulation of the Opera Step
undated
3
George Moutard Woodward, ca. 1760–1809
Spy's Taken at Greenwich on Easter Monday
undated
4
Charles Williams, active 1796–1830
The Union Club
undated
5
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
6
James Gillray, 1756–1815
The Man of Feeling, in search of Indispensibles
1800
7
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
8
James Gillray, 1756–1815
Evacuation of Malta
1803
9
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"
1807
10
James Gillray, 1756–1815
Palemon and Lavinia
1805
11
James Gillray, 1756–1815
Gillray Caricatures
12
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
13
James Gillray, 1756–1815
The Fall of Phaeton
1788
14
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
15
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
16
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
17
James Gillray, 1756–1815
Patience on a Monument
1791
18
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
19
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
20
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
21
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
22
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
23
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
24
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
25
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
26
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
27
James Gillray, 1756–1815
The Grand - Signior retiring
1796
28
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
29
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
30
James Gillray, 1756–1815
Playing in Parts
1801
31
James Gillray, 1756–1815
The Injured Countess
1786-1788
32
James Gillray, 1756–1815
Wouski
1788
33
James Gillray, 1756–1815
Sawney in the Bog-House
1779
34
James Gillray, 1756–1815
Junction of Parties
1783
35
James Gillray, 1756–1815
The Castle in the Moon
1782
36
James Gillray, 1756–1815
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
37
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
38
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
39
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
40
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
41
James Gillray, 1756–1815
Wha Wants Me?
1792
42
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
43
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
44
James Gillray, 1756–1815
National Conveniences
1796
45
James Gillray, 1756–1815
Brisk Cathartic
1804
46
James Gillray, 1756–1815
Fashionable Jockeyship
1796
47
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
48
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
49
James Gillray, 1756–1815
Duke William's Ghost
1799
50
James Gillray, 1756–1815
Two Men at Fisticuffs
undated
51
James Gillray, 1756–1815
A London Street Crier
undated
52
Imitator of James Gillray, 1756–1815
The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
53
Print made by Joseph Brown, 19th century
James Gillray
1848
54
James Gillray, 1756–1815
Hounds in Finding
1800
55
James Gillray, 1756–1815
Hounds Throwing-Off
1800
56
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
57
James Gillray, 1756–1815
Coming-In at the Death
1800
58
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
59
James Gillray, 1756–1815
Scene le Vrog House
1782
60
James Gillray, 1756–1815
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
1798
61
unknown artist
Four Figures on a Sheet
undated
62
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
63
James Gillray, 1756–1815
Destruction of the French Collossus
1798
64
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
65
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
66
James Gillray, 1756–1815
A Hackney Meeting
1796
67
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
68
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
69
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
70
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
71
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
72
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
73
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
74
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
75
James Gillray, 1756–1815
Patience on a Monument
1791
76
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
77
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
78
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
79
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
80
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
81
James Gillray, 1756–1815
Jack A Both Sides!
1783
82
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
83
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
84
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
85
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
86
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
87
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
88
James Gillray, 1756–1815
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
1791
89
James Gillray, 1756–1815
No Flower that Blows, Is Like this Rose
1796
90
James Gillray, 1756–1815
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
91
James Gillray, 1756–1815
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone
1797
92
James Gillray, 1756–1815
United Irishmen in Training
1798
93
James Gillray, 1756–1815
A Dash Up St. James's Street
1797
94
James Gillray, 1756–1815
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)
1794
95
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
96
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
97
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
98
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
99
James Gillray, 1756–1815
The Republican - Hercules Defending His Country
1797
100
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations