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Period 17th century

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Creator Smith, John, 1652–1743

Remove constraint Creator: Smith, John, 1652–1743

Image Use Free to Use

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Subject Terms portrait

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The Right Honorable Lady Elizabeth Cromwell (1684-1704)
Creator:
John Smith, 1652–1743
Date:
ca. 1699
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 11 x 9 3/8in. (27.9 x 23.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Madame D'Avenant
Creator:
John Smith, 1652–1743
Date:
1689
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 12 1/4 x 9 7/8in. (31.1 x 25.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Charles Napier, 2nd Baronet
Creator:
Print made by John Smith, 1652–1743
Date:
1700
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 9 13/16 inches (34 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Don Carlo, Earl of Plymouth
Creator:
after ? John Smith, 1652–1743
Date:
1689
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 9 15/16 inches (33.7 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Godfrey Kneller
Creator:
Print made by Isaac Beckett, 1652/3–1719
Date:
1685
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper, laid on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 16 7/16 x 12 3/8 inches (41.7 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Keay Nabee Naia-wi-Praia & Keay Abi Jaya Sedana, Ambassadors from the Sultan of Bantam to His Majesties of Great Britain
Creator:
Edward Luttrell, active 1680–1724
Date:
1682
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 x 8 inches (16.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund