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Credit Line Yale Center for British Art, Paul Mellon Fund

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John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
Joseph Grozer Charles Marquis Cornwallis Receiving the two Sons of Tippoo Sultaun as Hostages from the Vakeel
Print made by Joseph Grozer, ca. 1755–1798
Charles Marquis Cornwallis Receiving the two Sons of Tippoo Sultaun as Hostages from the Vakeel
1793
Sir Peter Lely A Group of Thirteen Drawings of Hands
Sir Peter Lely, 1618–1680
A Group of Thirteen Drawings of Hands
1650s-1660s
John Russell A Boy Blowing Soap Bubbles
John Russell, 1745–1806
A Boy Blowing Soap Bubbles
1800
James Ward Studies for "Venus Rising from her Couch"
James Ward, 1769–1859
Studies for "Venus Rising from her Couch"
ca. 1828
Thomas Frye Portrait of a Man Wearing a Turban
Thomas Frye, 1710–1762
Portrait of a Man Wearing a Turban
between 1760 and 1762
Edward Goodall Oxford from North Hinksey
Print made by Edward Goodall, 1795–1870
Oxford from North Hinksey
1841
William Dickinson Sir John Fielding, As Chairman of the Quarter Sessions for the City of Westminster
Print made by William Dickinson, 1746–1823
Sir John Fielding, As Chairman of the Quarter Sessions for the City of Westminster
1778
Samuel Fisher Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore
Print made by Samuel Fisher, 1806–1851
Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore
between 1821 and 1851
John Le Keux St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)
Print made by John Le Keux, 1783–1846
St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)
1822
Thomas Goff Lupton Dover
Print made by Thomas Goff Lupton, 1791–1873
Dover
1827
Edward Goodall Rocks at Colgong on the Ganges
Print made by Edward Goodall, 1795–1870
Rocks at Colgong on the Ganges
1836
George Barret Jr. Tivoli: Classical Composition
George Barret Jr., 1767–1842
Tivoli: Classical Composition
between 1820 and 1830
Bernard Lens III Classical Landscape
Bernard Lens III, 1682–1740
Classical Landscape
1717
John Smith Serenissima Carolina DG Magnae Britanniae Franciae et Hiberniae Regina
Print made by John Smith, 1652–1743
Serenissima Carolina DG Magnae Britanniae Franciae et Hiberniae Regina
1717
David Cox The Opening of New London Bridge
David Cox, 1783–1859
The Opening of New London Bridge
1831
Joseph Strutt America. To those, who wish to Sheathe the Desolating Sword of War. And, to Restore the Blessings of Peace and Amity, to a Divided People.
Print made by Joseph Strutt, 1749–1802
America. To those, who wish to Sheathe the Desolating Sword of War. And, to Restore the Blessings of Peace and Amity, to a Divided People
1781
Henry George Hine Pevensey Bay, Sussex
Henry George Hine, 1811–1895
Pevensey Bay, Sussex
1868
Lankester, Phebe, 1825-1900. Wild flowers worth notice :
Lankester, Phebe, 1825–1900
Wild flowers worth notice
1861
Spooner's transformations.
Spooner's transformations
1838 [-39]