The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
7
James Gillray, 1756–1815
The Republican - Attack
1795
8
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
9
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
10
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
11
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
12
James Gillray, 1756–1815
Destruction of the French Collossus
1798
13
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
14
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
15
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
16
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
17
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
18
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
19
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
20
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
21
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
22
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
23
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
24
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
25
James Gillray, 1756–1815
Independence
1799
26
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
27
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
28
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
29
James Gillray, 1756–1815
A Portrait ------------
1799
30
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
31
James Gillray, 1756–1815
A Man of Importance
1799
32
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
33
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
34
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
35
James Gillray, 1756–1815
A Hackney Meeting
1796
36
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
37
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
38
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
39
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
40
James Gillray, 1756–1815
Patience on a Monument
1791
41
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
42
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
43
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
44
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
45
James Gillray, 1756–1815
A Uniform Whig ---
1791
46
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
47
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
48
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
49
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
50
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
51
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
52
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
53
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
54
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
55
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
56
James Gillray, 1756–1815
The Legacy
1786
57
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
58
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
59
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
60
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
61
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
62
James Gillray, 1756–1815
The Tottering Pyramid
1784
63
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
64
James Gillray, 1756–1815
The English Regency
1789
65
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
66
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
67
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
68
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
69
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
70
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
71
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
72
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
73
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
74
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
75
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
76
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
77
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
78
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
79
James Gillray, 1756–1815
A Democrat, - or - Reason and Philosophy
1793
80
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
81
James Gillray, 1756–1815
Dumourier Dining in State at St. James on the 15th of May 1793
1793
82
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
83
James Gillray, 1756–1815
Louis XVI Taking Leave of His Wife and Family
1793
84
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
85
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
86
James Gillray, 1756–1815
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform
1788
87
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
88
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
89
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
90
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
91
James Gillray, 1756–1815
Les Trois Magots
1791
92
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
93
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
94
James Gillray, 1756–1815
The Introduction
1791
95
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
96
James Gillray, 1756–1815
Monstrous Craws, At a New Coalition Feast
1787
97
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
98
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar