Collection: Prints and Drawings / Creator: Hogarth, William, 1697–1764

201. "The Indian Emperor" or "The Conquest of Mexico"

Creator:: Robert Dodd, 1748–1816
Date:: 1792
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 17 11/16 x 21 1/2in. (44.9 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of David Bindman

202. Marriage A-La-Mode, Plate I: The Contract

Creator:: Gerard Jean Baptiste Scotin, 1671–1716
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/16 x 18 7/16in. (38.6 x 46.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Marriage A-La-Mode, Plate VI: The Death of the Countess

Creator:: Gerard Jean Baptiste Scotin, 1671–1716
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/2 x 18 1/4in. (39.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. View in St. James's Park showing Rosamond's Pond

Creator:: F. Ross, active 1840
Date:: 1840
Materials & Techniques:: Hand colored lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Vauxhall

Creator:: James Stow, ca. 1770–after 1820
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Rosamond's Pond

Creator:: Merigot, active 1772–1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. David Garrick in the Character of Richard III

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1798
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 18 3/8 x 22 3/4in. (46.7 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971

208. Sir James Thornhill

Creator:: Samuel Ireland, active 1760–died 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Wm. Hogarth died Octr. 26th 1764 Aged 67

Creator:: Samuel Ireland, active 1760–died 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. William Hogarth

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: undated
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 10 7/16 x 7 7/8 inches (26.5 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Mr. Garrick in the Charakter (sic) of Richard the 3D

Creator:: Charles Grignion, 1717–1810
Date:: 1746
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/8 x 19 3/4in. (38.4 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Hogarth

Creator:: Charles Townley, 1746–c.1800
Date:: 1781
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. The Four Times of Day, Plate III: Evening

Creator:: Bernard Baron, 1696–1762
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 7/8 x 14 3/4in. (45.4 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Mary Stuart, Queen Of Scotland

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1803
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Shrimps!

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. John Wilkes Esq.

Creator:: Thomas Cook, 1744–1818
Date:: 1800
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Chauncey B. Tinker, B.A. 1899

217. Members of a Society of Artists that Existed About 1730

Creator:: Richard Sawyer, active 1820–1830
Date:: ca. 1829
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 3/8 x 13 1/2in. (28.9 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Daniel Lock, Esqr.

Creator:: James McArdell, ca. 1729–1765
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 3/4 x 10in. (34.9 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Burning the Rumps, Temple Bar

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

221. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

222. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

223. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

224. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

225. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

226. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

227. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

228. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

229. Marriage A-La-Mode, Plate III: The Scene with the Quack

Creator:: Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Marriage A-La-Mode, Plate II: The Breakfast Scene

Creator:: Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Marriage A-La-Mode, Plate IV: The Toilet Scene

Creator:: Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 7/8 x 17 5/8in. (35.2 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Marriage A-La-Mode, Plate V: The Death of the Earl

Creator:: Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 7/8 x 17 5/8in. (35.2 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Canvassing for Votes, Plate II

Creator:: Print made by Charles Grignion, 1717–1810
Date:: 1755-1758
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 7/8 x 21 1/8in. (40.3 x 53.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. A Representation of the March of the Guards towards Scotland in the Year 1745 (from: Caricature, vol. 5)

Creator:: Luke Sullivan, 1705–1771
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 1/4 x 21 3/8in. (41.3 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled

Creator:: Luke Sullivan, 1705–1771
Date:: 1752
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 x 19 3/4in. (38.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. The Good Samaritan

Creator:: Simon François Ravenet, 1706–1774
Date:: 1772
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 22 1/2 inches (48.9 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. The Pool of Bethesda

Creator:: Simon François Ravenet, 1706–1774
Date:: 1772
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 x 22 5/8 inches (49.2 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Marriage a la Mode. Scene with the Quack.

Creator:: Charles Mottram, 1807–1876
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Shakespear Chair

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Etching, tone left on plate
Dimensions:: Image: 6 1/2 x 1 1/2in. (16.5 x 3.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

240. Scene at a Banking House in 1745

Creator:: Print made by J. Barlow, active 1791
Date:: 1799
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

241. Credulity, Superstition & Fanaticism

Creator:: Print made by Charles Mottram, 1807–1876
Date:: 1833
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

242. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

243. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

244. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

245. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

246. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

247. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

248. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

249. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

250. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

251. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

252. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

253. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

254. Plate I, Pikemen

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

255. Plate II, Halberd Men

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

256. Specimens of Beaver's Military Punishments, 1725

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

257. Plate II, Halberd Men

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

258. Specimens of Beaver's Military Punishments, 1725

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

259. None

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1808
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

260. The Invasion, Plate I, France

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

261. Ticket of the London Hospital

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching, line engraving, and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

262. Gate of Calais, O the Roast Beef of Old England

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

263. The Invasion, Plate I, France

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

264. The Gate of Calais, O the Roast Beef of Old England

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

265. Gate of Calais, O the Roast Beef of Old England

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

266. Gate of Calais, O the Roast Beef of Old England

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

267. First Stage of Cruelty

Creator:: Print made by T. E. Nicholson, active early 19th century
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

268. Cruelty in Perfection

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

269. Polling at the Hustings

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1808
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

270. Polling at the Hustings

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1808
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

271. Chairing the Members

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

272. Polling at the Hustings

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1808
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

273. Chairing the Members

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

274. Chairing the Members

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

275. Chairing the Member

Creator:: Print made by T. E. Nicholson, active early 19th century
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

276. Chairing the Member

Creator:: Print made by T. E. Nicholson, active early 19th century
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

277. Falstaff Examining His Recruits

Creator:: Print made by Thomas Ryder, 1746–1810
Date:: 1799
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

278. First Design for the Enraged Musician

Creator:: Print made by Thomas Ryder, 1746–1810
Date:: 1799
Materials & Techniques:: Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

279. First Design for the Enraged Musician

Creator:: Print made by Thomas Ryder, 1746–1810
Date:: 1799
Materials & Techniques:: Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

280. 3 Characters, 4 Caricaturas

Creator:: Print made by unknown artist
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

281. 3 Characters, 4 Caricaturas

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

282. The Laughing Audience

Creator:: Print made by unknown artist
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

283. The Laughing Audience

Creator:: Print made by unknown artist
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

284. Specimens of Beaver's Military Punishments, 1725

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

285. Analysis of Beauty, Plate I

Creator:: Print made by unknown artist
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

286. Analysis of Beauty, Plate II

Creator:: Print made by J. Barlow, active 1791
Date:: 1791
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

287. Analysis of Beauty, Plate I

Creator:: Print made by J. Barlow, active 1791
Date:: 1791
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

288. Analysis of Beauty, Plate I

Creator:: Print made by J. Barlow, active 1791
Date:: 1791
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

289. Analysis of Beauty, Plate I

Creator:: Print made by J. Barlow, active 1791
Date:: 1791
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

290. Analysis of Beauty, Plate I

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

291. Analysis of Beauty, Plate II

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1808
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

292. Analysis of Beauty, Plate II

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1808
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

293. Head of a Female Moor

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1785
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

294. Analysis of Beauty, Plate II

Creator:: Print made by unknown artist
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

295. Head of Diana

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1785
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

296. Head of a Female Moor

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1785
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

297. Head of Diana

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1785
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

298. Boys Peeping at Nature

Creator:: Print made by unknown artist
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

299. Head of Diana

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1785
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

300. Boys Peeping at Nature

Creator:: Print made by unknown artist
Date:: 1799
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

YCBA Collections Search

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Collection Prints and Drawings

Creator Hogarth, William, 1697–1764

Search Results

201. "The Indian Emperor" or "The Conquest of Mexico"

202. Marriage A-La-Mode, Plate I: The Contract

203. Marriage A-La-Mode, Plate VI: The Death of the Countess

204. View in St. James's Park showing Rosamond's Pond

205. Vauxhall

206. Rosamond's Pond

207. David Garrick in the Character of Richard III

208. Sir James Thornhill

209. Wm. Hogarth died Octr. 26th 1764 Aged 67

210. William Hogarth

211. Mr. Garrick in the Charakter (sic) of Richard the 3D

212. Hogarth

213. The Four Times of Day, Plate III: Evening

214. Mary Stuart, Queen Of Scotland

215. Shrimps!

216. John Wilkes Esq.

217. Members of a Society of Artists that Existed About 1730

218. Daniel Lock, Esqr.

219. Burning the Rumps, Temple Bar

220. Design for a New Order of Architecture

221. Design for a New Order of Architecture

222. Design for a New Order of Architecture

223. Design for a New Order of Architecture

224. Design for a New Order of Architecture

225. Design for a New Order of Architecture

226. Design for a New Order of Architecture

227. Design for a New Order of Architecture

228. Design for a New Order of Architecture

229. Marriage A-La-Mode, Plate III: The Scene with the Quack

230. Marriage A-La-Mode, Plate II: The Breakfast Scene

231. Marriage A-La-Mode, Plate IV: The Toilet Scene

232. Marriage A-La-Mode, Plate V: The Death of the Earl

233. Canvassing for Votes, Plate II

234. A Representation of the March of the Guards towards Scotland in the Year 1745 (from: Caricature, vol. 5)

235. And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled

236. The Good Samaritan

237. The Pool of Bethesda

238. Marriage a la Mode. Scene with the Quack.

239. Shakespear Chair

240. Scene at a Banking House in 1745

241. Credulity, Superstition & Fanaticism

242. A Third Modern Military Punishment

243. A Third Modern Military Punishment

244. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

245. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

246. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

247. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

248. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

249. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

250. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

251. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

252. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

253. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

254. Plate I, Pikemen

255. Plate II, Halberd Men

256. Specimens of Beaver's Military Punishments, 1725

257. Plate II, Halberd Men

258. Specimens of Beaver's Military Punishments, 1725

259. None

260. The Invasion, Plate I, France

261. Ticket of the London Hospital

262. Gate of Calais, O the Roast Beef of Old England

263. The Invasion, Plate I, France

264. The Gate of Calais, O the Roast Beef of Old England

265. Gate of Calais, O the Roast Beef of Old England

266. Gate of Calais, O the Roast Beef of Old England

267. First Stage of Cruelty

268. Cruelty in Perfection

269. Polling at the Hustings

270. Polling at the Hustings

271. Chairing the Members

272. Polling at the Hustings

273. Chairing the Members

274. Chairing the Members