The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
6
James Gillray, 1756–1815
A London Street Crier
undated
7
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
8
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
9
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
10
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
11
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
12
James Gillray, 1756–1815
The Friendly Agent
1787
13
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
14
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
15
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
16
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
17
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
18
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
19
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
20
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
21
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
22
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
23
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
24
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
25
James Gillray, 1756–1815
Jack A Both Sides!
1783
26
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
27
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
28
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
29
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
30
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
31
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
32
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
33
James Gillray, 1756–1815
Scene le Vrog House
1782
34
James Gillray, 1756–1815
Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
1798
35
James Gillray, 1756–1815
Apothecaries, Taylors & c. Conquering France and Spain
1779
36
James Gillray, 1756–1815
National Discourse
1780
37
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
38
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
39
James Gillray, 1756–1815
Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise
1806
40
James Gillray, 1756–1815
Les Trois Magots
1791
41
Charles Williams, active 1796–1830
The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull
1806
42
James Gillray, 1756–1815
Anticipation, or the approaching fate of the French commercial treaty
1787
43
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
44
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
45
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
46
James Gillray, 1756–1815
Gentle Emetic
1804
47
James Gillray, 1756–1815
Breathing a vein
1804
48
James Gillray, 1756–1815
The Minister In / The Minister Out
1782
49
James Gillray, 1756–1815
New Morality
1798
50
James Gillray, 1756–1815
Doublûres of Characters
1798
51
James Gillray, 1756–1815
Making Decent / Broad bottomites getting into the Grand Costume
1806
52
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
1798
53
James Gillray, 1756–1815
Election Troops bringing in their accounts to the Paytable
1788
54
James Gillray, 1756–1815
Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings
1806
55
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
56
James Gillray, 1756–1815
Maniac Ravings or Little Boney in a Strong Fit
1803
57
James Gillray, 1756–1815
Tales of wonder
1802
58
James Gillray, 1756–1815
Tom Paine's Nightly Pest
1792
59
James Gillray, 1756–1815
John Bull and the Sinking Fund
1807
60
James Gillray, 1756–1815
Playing in Parts
1801
61
James Gillray, 1756–1815
A kick at the Broad Bottoms
1807
62
James Gillray, 1756–1815
The Generae of Patriotism
1796
63
James Gillray, 1756–1815
A Great Stream from a Petty Fountain
1806
64
James Gillray, 1756–1815
Visiting the Sick
1806
65
Print made by James Gillray, 1756–1815
The Pillar of the Constitution
1807, published 1835
66
James Gillray, 1756–1815
L'Enfant Trouve: a sample of Roman Charity
1808
67
James Gillray, 1756–1815
The Friend of the People
1806
68
James Gillray, 1756–1815
Patriotic Petitions on the Convention
ca. 1808
69
James Gillray, 1756–1815
Progress of the Toilet - The Stays Plate I
1810
70
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
71
Print made by James Gillray, 1756–1815
Every Man has his Hobby Horse
1784
72
James Gillray, 1756–1815
The Cabinetical Balance
1806
73
James Gillray, 1756–1815
Les Membres du Conseil des Cinq Cents. French Habits No. 3
1798
74
James Gillray, 1756–1815
"all Bond Street trembled as he strode"
1802
75
James Gillray, 1756–1815
Councellor Ego. -i.e: little i, myself i
1798
76
James Gillray, 1756–1815
Maecenas, in pursuit of the Fine Arts
1808
77
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
78
James Gillray, 1756–1815
Président d'Administration Municipale. French Habits no 5
1798
79
James Gillray, 1756–1815
Fine Bracing Weather
1808
80
James Gillray, 1756–1815
A Peep into the Cave of Jacobinism
1798
81
James Gillray, 1756–1815
Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
1798
82
James Gillray, 1756–1815
Breathing a Vein
1804
83
James Gillray, 1756–1815
Charming Well Again
1804
84
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
85
James Gillray, 1756–1815
The Injured Countess
1786-1788
86
James Gillray, 1756–1815
Gillray Caricatures
87
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
88
James Gillray, 1756–1815
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
1795
89
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
90
James Gillray, 1756–1815
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
91
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
92
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
93
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
94
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
95
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
96
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
97
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
98
James Gillray, 1756–1815
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
99
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service