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Creator Gillray, James, 1756–1815

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James Gillray The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
James Gillray Brisk Cathartic
James Gillray, 1756–1815
Brisk Cathartic
1804
James Gillray Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
James Gillray Ladies Dress, as it soon will be
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
James Gillray National Conveniences
James Gillray, 1756–1815
National Conveniences
1796
James Gillray A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty.
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
Joseph Brown James Gillray
Print made by Joseph Brown, 19th century
James Gillray
1848
James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
James Gillray The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
Charles Turner James Gillray
Charles Turner, 1774–1857
James Gillray
1819
James Gillray A Cognocenti Contemplating ye Beauties of ye Antique
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
James Gillray The Soliloquy
James Gillray, 1756–1815
The Soliloquy
1782
James Gillray Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
James Gillray Paille d'Avoine - Paille d'Avoine
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
James Gillray The Legacy
James Gillray, 1756–1815
The Legacy
1786
James Gillray The Sick Prince
Print made by James Gillray, 1756–1815
The Sick Prince
1787
James Gillray The Funeral Procession of Miss Regency
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
James Gillray The Butchers of Freedom
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
James Gillray The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
James Gillray The Battle of Bow-Street
James Gillray, 1756–1815
The Battle of Bow-Street
1788
James Gillray A Modern Cherub, - Vide Peters
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
James Gillray The English Regency
James Gillray, 1756–1815
The English Regency
1789
James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
James Gillray A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
Thomas Rowlandson Filial Piety
Thomas Rowlandson, 1756–1827
Filial Piety
1788
James Gillray John Bull at His Studies. Attended by His Guardian Angell
James Gillray, 1756–1815
John Bull at His Studies. Attended by His Guardian Angell
1799
unknown artist We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
James Gillray The Republican - Attack
James Gillray, 1756–1815
The Republican - Attack
1795
James Gillray The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
James Gillray The High German Method of Destroying Vermin at Rat-Stadt
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
James Gillray Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
James Gillray Buonaparte Leaving Egypt
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
James Gillray French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
James Gillray Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
James Gillray New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
James Gillray The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
James Gillray The Leadenhall Volunteer, Drest in his Shawl
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
James Gillray Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
James Gillray The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
James Gillray The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
James Gillray The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
James Gillray Independence
James Gillray, 1756–1815
Independence
1799
James Gillray A Man of Importance
James Gillray, 1756–1815
A Man of Importance
1799
James Gillray Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
James Gillray A Portrait ------------
James Gillray, 1756–1815
A Portrait ------------
1799
James Gillray The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
James Gillray A Hackney Meeting
James Gillray, 1756–1815
A Hackney Meeting
1796
James Gillray Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
James Gillray And The' - Tisick, - The Colic, Punch Cures The Gout
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
James Gillray The Grand-Signior Retiring
James Gillray, 1756–1815
The Grand-Signior Retiring
1796