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Materials & Techniques black chalk

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Period 20th century

Remove constraint Period: 20th century

Subject Terms study (visual work)

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Three-quarter View of a Lioness
Creator:
Henri Gaudier-Brzeska, 1891–1915
Date:
between 1910 and 1915
Materials & Techniques:
Black chalk on thin, smooth, beige wove paper
Dimensions:
Sheet: 12 5/8 x 7 3/4 inches (32.1 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Cave of the Golden Calf: Interior of a Theatre
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Black chalk and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore
Study of a Boy's Head
Creator:
Henry Lamb, 1883–1960
Date:
1911
Materials & Techniques:
Black chalk on medium, moderately textured, blue laid paper
Dimensions:
Sheet: 12 1/4 x 9 1/2 inches (31.1 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Study of Gwen John
Creator:
Augustus Edwin John, 1878–1961
Date:
ca. 1900
Materials & Techniques:
Black chalk and red chalk on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 9 7/8 × 5 5/8 inches (25.1 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1915
Materials & Techniques:
Black chalk on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 15/16 × 18 1/2 inches (35.4 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
David Bomberg, 1890–1957
Date:
1923
Materials & Techniques:
Black chalk and white chalk on thin, slightly textured, brown modern laid paper
Dimensions:
Sheet: 19 × 24 7/8 inches (48.3 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund