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Materials & Techniques black ink
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Remove constraint Materials & Techniques: graphiteGenre landscape
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- Date:
- undated
- Materials & Techniques:
- Watercolor, gouache, pen and ink, and graphite, squared for transfer on medium, slightly textured, cream wove paper
- Dimensions:
- Sheet: 22 × 6 1/2 inches (55.9 × 16.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1863
- Materials & Techniques:
- Watercolor, pen and black ink, brown ink, gray ink, red ink, gouache, gum arabic, and graphite on thick, slightly textured, beige wove paper
- Dimensions:
- Sheet: 19 1/4 × 29 3/4 inches (48.9 × 75.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1807
- Materials & Techniques:
- Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
- Dimensions:
- Mount: 14 1/8 × 19 1/8 inches (35.9 × 48.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
4. Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
- Date:
- 1807
- Materials & Techniques:
- Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
- Dimensions:
- Sheet: 11 3/4 × 17 1/16 inches (29.8 × 43.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1881
- Materials & Techniques:
- Pen and black ink, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 7 7/8 x 11 3/8 inches (20 x 28.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1853
- Materials & Techniques:
- Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
- Dimensions:
- Sheet: 14 1/8 x 10 1/8 inches (35.9 x 25.7 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund