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Materials & Techniques black ink
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Remove constraint Materials & Techniques: watercolorExhibition History Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
Remove constraint Exhibition History: Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)Image Available Available
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1
- Oberon and Titania
- 1837
2
- Leeds
- 1816
3
- Jerusalem, Plate 25, "And there was heard...."
- 1804 to 1820
4
- Jerusalem, Plate 35, "Then the Divine hand...."
- 1804 to 1820
5
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
6
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
7
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
8
- Jerusalem, Plate 99, "All Human Forms identified...."
- 1804 to 1820
9
- Mary Magdalen at the Sepulchre
- ca. 1805
10
- Headfort House, Ireland: Elevation of the Eating Parlor
- 1775
11
- Bird's Nest with Sprays of Apple Blossoms
- ca. 1847
12
- The Artist and his Family
- 1813
13
- The Rustic Lover
- 1786
14
- Interior of St. Paul's Cathedral
- ca. 1792
15
- The Triumph of Music
- ca. 1815
16
- A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
- ca. 1775
17
- The Duchess of Devonshire and the Countess of Bessborough
- 1790
18
- The Exhibition Stare-Case, Somerset House
- ca. 1800
19
- An Audience Watching a Play at Drury Lane Theatre
- ca. 1785
20
- The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
- 1807
21
- A Worn Out Debauchée
- between 1790 and 1795
22
- The Connoisseurs
- ca. 1790
23
- The Bass Rock at Dawn
- 1855
24
- Queen Square, London
- 1786