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Materials & Techniques brown wash

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Materials & Techniques black ink

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Author ss Thomas Rowlandson, 1756–1827, British

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Collection Prints and Drawings

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Period 18th century-19th century

Remove constraint Period: 18th century-19th century

Search Results

A Saddled Cavalry Horse
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and gray ink, black ink, graphite, and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 8 7/8 inches (18.1 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Stage Coach Outside of the Entrance of an Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Brown wash, gray wash, pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 x 10 1/16 inches (14.9 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Women Drinking Punch
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/4 x 7 3/4 inches (12.1 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chess Players
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and black ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 x 7 inches (11.1 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Settling a Love Quarrell
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and gray ink, with pink and brown wash over graphite, with black ink lined border on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 13/16 x 10 5/8 inches (19.8 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection