Materials & Techniques: chine collé / Author ss: after Joseph Mallord William Turner, 1775–1851, British / Exhibition History: Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)

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Materials & Techniques chine collé

Author ss after Joseph Mallord William Turner, 1775–1851, British

Exhibition History Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)

Etched by Joseph Mallord William Turner, 1775–1851

Hind Head Hill

1811

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James T. Willmore, 1800–1863

Fire at Sea (vignette)

1835

Print made by Edward Goodall, 1795–1870

Florence

1827

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by Edward Goodall, 1795–1870

A Tempest – Voyage of Columbus

1834

Print made by William Radclyffe, 1780–1855

St. Julian's, Tours

1833

Print made by Edward Goodall, 1795–1870

The Vision of Columbus

1834

Print made by William Miller, 1796–1882

The Dead Eagle - Oran (Vignette)

1837

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by John Cousen, 1804–1880

The Acropolis of Athens

1832-1834

Print made by John Byrne, 1786–1847

Rome from Monte Mario

1820

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Engraved by Henry Le Keux, 1787–1868

High Street, Edinburgh

1819

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