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Materials & Techniques etching (printing process)

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Materials & Techniques wove paper

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Creator Gender male

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Width [cm] Unknown

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Weathercote Cave when Half Filled with Water
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1821
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Walton Bridge on Thames, Surrey
Creator:
J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
engraver's proof (touched) on medium, slightly textured, cream wove paper with cream chine-collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rhine - Osterspey and Feltzen
Creator:
Print made by William Miller, 1796–1882
Date:
1838-1852
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Oberwesel
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1838-1852
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aske Hall
Creator:
Print made by John Scott, 1774–1828
Date:
1821
Materials & Techniques:
Line engraving and etching on medium, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fetcham Park
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1838-1852
Materials & Techniques:
Etching and engraving, first published state on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rhine - Neuwied and Weissenthurm
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1838-1852
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Venice - the Piazzetta
Creator:
Print made by William Miller, 1796–1882
Date:
1853-1874
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the River
Creator:
Print made by Joseph Pennell, 1860–1926
Date:
1894
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Tow-Rope
Creator:
Print made by Sir Frank William Brangwyn, 1867–1956
Date:
1906
Materials & Techniques:
Etching; early proof on thin, slightly textured, brown wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Boatmen
Creator:
Print made by Sir Frank William Brangwyn, 1867–1956
Date:
1906
Materials & Techniques:
Etching on medium, slightly textured, brown wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Palaces, Venice
Creator:
Print made by Joseph Pennell, 1860–1926
Date:
1902
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake of Nemi (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1803-1804
Materials & Techniques:
Etchings and line engravings on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection