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Materials & Techniques gray wash

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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Date 1751

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Details of the Doric Order from the Athenian Temple of Apollo at Delos
Creator:
Giovanni Battista Borra, 1713–1770
Date:
1751
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 3/16 x 14 13/16 inches (53.8 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Hill Towns or Ruins near Damascus
Creator:
Giovanni Battista Borra, 1713–1770
Date:
1751
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 5/8 x 21 5/8 inches (37.1 x 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of the Portico of Philip at Delos
Creator:
Giovanni Battista Borra, 1713–1770
Date:
1751
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 14 13/16 inches (54 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Altar at Delos
Creator:
Giovanni Battista Borra, 1713–1770
Date:
1751
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 3/16 x 14 3/4 inches (53.8 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North-West View of the Reverend Mr. Wesley's School at Kingswood, Near Bristol
Creator:
Benjamin Green, ca. 1736–ca. 1800
Date:
undated
Materials & Techniques:
Pen and black ink, gray ink, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 15 1/4 inches (23.5 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection