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Mr. Woodward, Mounted
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Gouache, pen and brown ink, black ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 11/16 × 7 3/16 inches (14.4 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Riders and Hounds in an Open Landscape
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Mount: 10 13/16 × 16 5/8 inches (27.5 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Boar Hunt
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 1/8 × 10 7/8 inches (23.2 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Edinburgh from the South Looking towards Dalkeith
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 1/4 x 38 1/4 inches (38.7 x 97.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett
A View of the Estate at Esholt Hall, Yorkshire
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 x 33 5/8 inches (40 x 85.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett
Mr. Vaughan's, Boys Hill, Dorset
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 21 1/4 x 42 1/2 inches (54 x 108 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett