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Materials & Techniques watercolor

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Materials & Techniques wove paper

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Collection Prints and Drawings

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Period 19th century

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Genre architectural subject

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Image Use Free to Use

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Sebastopol, Sketched From The Deck of H. M. S. Sidon, Feb. 1855
Creator:
William Simpson, 1823–1899
Date:
1855
Materials & Techniques:
Watercolor and gouache over graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 x 20 5/8 inches (33 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bonaparte's Column in Scafolding at Boulogne, France, with Harvesters in a Field
Creator:
Thomas Hosmer Shepherd, 1792–1864
Date:
1818
Materials & Techniques:
Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 12 1/8 inches (21.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hypatia Teaching at Alexandria
Creator:
Robert Trewick Bone, 1790–1840
Date:
undated
Materials & Techniques:
Watercolor and brown ink on medium, moderately textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:
Mount: 13 3/4 × 19 13/16 inches (34.9 × 50.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Shah Nujeef
Creator:
William Simpson, 1823–1899
Date:
1861
Materials & Techniques:
Watercolor with gouache and graphite on moderately thick, moderately textured, cream wove paper, pasted on contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 14 5/8 x 20 7/8 inches (37.1 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Church at Dixmude, West Flanders
Creator:
David Roberts, 1796–1864
Date:
ca. 1863
Materials & Techniques:
Watercolor and gouache over graphite, varnished on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 x 14 1/4in. (27.9 x 36.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection