"A Select Collection of English Songs," London, 1783
1783
2
George Dance, 1741–1825
"Curtius Leaping into the Gulph"
undated
3
Print made by John Hoyland, 1934–2011
"Fly Away"
1981
4
Thomas Hosmer Shepherd, 1792–1864
"London in the Nineteenth Century"
5
unknown artist
"Mr. Sponge's Sporting Tour"
6
unknown artist
"Mr. Sponge's Sporting Tour"
7
unknown artist
"Mr. Sponge's Sporting Tour"
8
unknown artist
"Mr. Sponge's Sporting Tour"
9
unknown artist
"Mr. Sponge's Sporting Tour"
10
unknown artist
"Mr. Sponge's Sporting Tour"
11
unknown artist
"Mr. Sponge's Sporting Tour"
12
unknown artist
"Mr. Sponge's Sporting Tour"
13
unknown artist
"Mr. Sponge's Sporting Tour"
14
James R. G. Exley, 1878–1967
"No Bird can with the well-bred cock compare..."
1924
15
Langlands & Bell, since 1978
"Opening" and "Capture": a plan of "Capture"
1999
16
Langlands & Bell, since 1978
"Opening" and "Capture": a plan of "Opening"
1999
17
Langlands & Bell, since 1978
"Opening" and "Capture": a typical section/elevation
1999
18
Charles Johnson Payne "Snaffles", 1884–1967
"Settn 'em Alight", "Are you Ready?", "Go", and "Heaven be with You"
undated
19
Henry Heath, active 1824–1835
"The Impudent Challenge" / The following Anecdote was told with great glee by his late Majesty William IV, at a Dinner given by George IV, at the Cottage, Windsor Park..
undated
20
Henry Herbert La Thangue, 1859–1929
'A Study' from 'Representative Art of Our Time' (a portfolio of eight prints)
undated
21
Charles Hamilton Smith, 1776–1859
'Hunting Scenes' in Africa, North & South America, Ceylon, Australia, The Antarctic, Arctic, etc
22
Lionel Edwards, 1878–1966
'I'm no advocate for leapin (sic), but there are times when it can't be 'elped!'
1916
23
George Townly Stubbs, 1748–1815
'Mambrino'
1794
24
Thomas Cook, 1744–1818
'O the Roast Beef of Old England'
25
Charles Rosenberg, active 1828–1848
'The Burial of Tom Moody', the celebrated Whipper in / who was upwards of Thirty Years in the service of George Forrester Esq. of Willey Hall, ..
1831
26
James Roberts, active 1766–1809
'The Happy Consultation' or 'Modern Match'
27
James Gillray, 1756–1815
("Portrait of Gentleman" Walking)
1800
28
Dean Wolstenholme, 1757–1837
(1) Death of Tom Moody...Exhibiting a View of Rockwood in Shropshire
1841
29
Dean Wolstenholme, 1757–1837
(2) Burial of Tom Moody...Exhibiting the View of Willey Church in Shropshire
1841
30
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
31
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
32
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
33
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
34
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
35
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
36
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
37
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
38
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
39
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
40
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
41
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
42
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
43
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
44
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
45
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
46
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
47
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
48
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
49
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
50
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
51
W. Stack, active 1824
1. The Exeter College Eight on the Isis Oxford
1824
52
George Hunt, active 1820–1840
1st of October
1827
53
George Hunt, active 1820–1840
1st of October
1827
54
George Hunt, active 1820–1840
1st of September
1827
55
George Hunt, active 1820–1840
1st of September
1827
56
W. Stack, active 1824
2. A rowing eight at Oxford
1824
57
William Henry Toms, ca. 1700–ca. 1750
24 drawings for West's Churches of London
58
Paul Sandby, 1731–1809
75 Etchings of Landscape and Genre Scenes
59
Paul Sandby, 1731–1809
93 Etchings of Landscape and Genre Scenes
1750-1752
60
Francesco Bartolozzi, 1728–1815
? Poet addressing a Queen on a Throne surrounded by Muses
61
Print made by Jan van Huchtenburg, 1647–1733
[A rest during the hunt: King William III and Queen Mary with attendants, dogs, etc.]
undated
62
William Alfred Delamotte, 1775–1863
[A set of] Twenty etchings, Ten etchings, Sandhurst, 1816, 1817
1816 to 1817
63
Print made by Robyn Denny, 1930–2014
[All through the day, 1970]
1970
64
Attributed to Jeremiah Bridges, fl.1751
[Anatomical Study of a Horse]. 'To His Grace the Duke of Northumberland..Inscribed by Joseph Barber
65
James Ward, 1769–1859
[Animals] Studies from Nature
1807
66
George Edwards, 1694–1773
[Beetle]
ca. 1758
67
George Edwards, 1694–1773
[Bird]
ca. 1758
68
George Edwards, 1694–1773
[Bird]
ca. 1758
69
George Edwards, 1694–1773
[Black Bird]
ca. 1758
70
George Edwards, 1694–1773
[Blue Bird]
ca. 1758
71
George Edwards, 1694–1773
[Brown Bird]
ca. 1758
72
after Charles Rosenberg, active 1828–1848
[Coaching ] The Road-Side
1833
73
Matthew Dubourg, active 1786–1838
[Coaching] Mail Coach
1824
74
James Baily, active 1815–1834
[Coaching] Stage Waggon
1820
75
Matthew Dubourg, active 1786–1838
[Coaching] The Mail Guard
1825
76
Charles Hunt, 1803–1877
[Coaching]: Royal Mails, starting from the Post Office, Lombard Street
1827
77
George Edwards, 1694–1773
[Cock Sparrow]
ca. 1758
78
unknown artist
[Edinburgh, Glasgow, Mancester and London Coach]
79
Charles Turner, 1774–1857
[Fencing ] Backswords
1825
80
Robert Cockburn, 1812–1836
[Figure Seated]
1835-1836
81
Dean Wolstenholme, 1798–1882
[Fox-hunting set of four] Surrey Views: 1. Drawing cover / with a View of Gatton Park
undated
82
Dean Wolstenholme, 1798–1882
[Fox-hunting set of four] Surrey Views: 2. The Chase / Crossing the Old Brighton Road at Merstham
undated
83
Dean Wolstenholme, 1798–1882
[Fox-hunting set of four] Surrey Views: 3. Full-Cry / with a View of Box Hill
undated
84
Dean Wolstenholme, 1798–1882
[Fox-hunting set of four] Surrey Views: 4. The Death / in a Wheelwright's Yard at Merstham
undated
85
Figures by Francesco Bartolozzi, 1728–1815
[Fox-Hunting]
1783
86
Theodore Henry Adolphus Fielding, 1781–1851
[Fox-hunting] set of four - Worcestershire: 1. Breaking Cover (Hadley Heath)
1826
87
Theodore Henry Adolphus Fielding, 1781–1851
[Fox-hunting] set of four - Worcestershire: 2. Full Cry (Westwood Park Hall)
1826
88
Theodore Henry Adolphus Fielding, 1781–1851
[Fox-hunting] set of four - Worcestershire: 3. A Check (Near Hampton Lovett)
1826
89
Theodore Henry Adolphus Fielding, 1781–1851
[Fox-hunting] set of four - Worcestershire: 4. The Death (Southall Farm)
1826
90
Charles Hunt, 1803–1877
[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate I. "A Southerly Wind and a Cloudy Sky, / Proclaims a hunting morning..." / "On horseback we're got together we'll trot ..."
1835
91
Charles Hunt, 1803–1877
[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate II. "How completely the Cover and Furze they draw..." / "Cast round the sheep's train, cast round, cast round, ..."
1835
92
Charles Hunt, 1803–1877
[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate III. "A stormy Sky overcharged with rain ...: / "Pick through the ploughed grounds, pick through, pick through ..."
1835
93
Charles Hunt, 1803–1877
[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate IV. "Thus we ride whip and spur for a two hours' chase, ..." / "Clap round him dear Jack, clap round, clap round, ..."
1835
94
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."
1836
95
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate II. "A case of Pound. / Now Minrods! shew that ye are workmen: keep / ... Hold hard! 'ware Squire traps - look before ye leap / ..."
1836
96
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate III. "Afloat. As troubles multiply, things grow select, / ... Dire is the daring now of the `elect', / ..."
1836
97
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate IV. "Aground. The vermin sinks: mark, struggling for the lead, / ... Take counsel of our canvas - nurse your steed, / ..."
1836
98
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 1. "To Bachelor's Hall we good fellows invite, / Did you see us you'd swear, as we mount with a grace, / ..."
ca. 1835
99
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 2. "Dick Thickset came mounted upon a fine black, / ... But the horse of all horses that rivall'd the day, / ..."
ca. 1835
100
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 3. "Then for hounds there was Nimble, so well that climbs rocks, / ... Young sly looks, that scent the strong breeze from the south, / ..."