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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionClassification Prints
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1
- Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
- 1718
2
- A Midnight Modern Conversation
- 1733
3
- A Rake's Progress, Plate II: His Levee
- 1735
4
- A Rake's Progress, Plate I: He Takes Possession
- 1735
5
- Southwark Fair
- 1733
6
- A Rake's Progress, Plate V: He Marries
- 1735
7
- A Rake's Progress, Plate III: He Revels
- 1735
8
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
9
- A Rake's Progress, Plate IV: Goes to Court
- 1735
10
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
11
- A Rake's Progress, Plate VI: He Gambles
- 1735
12
- A Consultation of Physicians
- 1736
13
- Colombus breaking the Egg
- 1753
14
- Strolling Actresses Dressing in a Barn
- 1738
15
- The Distrest(ed) Poet
- 1740
16
- The Enraged Musician
- 1741
17
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
18
- Scholars at a Lecture (A Chorus of Singers)
- 1736
19
- The Sleeping Congregation
- 1736
20
- The Stage Coach; Or Country Inn Yard
- 1747
21
- Gulielmus Hogarth
- 1749
22
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
23
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
24
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
25
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
26
- Simon Lord Lovat
- 1746
27
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
28
- Analysis of Beauty, Plate II: A Country Dance
- 1753
29
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
30
- The Invasion, Plate I: France
- 1756
31
- The Polling, Plate III
- 1758
32
- The Invasion, Plate II: England
- 1756
33
- The Bench
- 1758
34
- An Election Entertainment, Plate I
- 1755-58
35
- The Laughing Audience
- 1733
36
- Chairing the Members, Plate IV
- 1758
37
- The Cockpit
- 1759
38
- Hogarth Painting the Comic Muse
- 1764
39
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
40
- Fair Scene
- 1733
41
- Prospectus print "Crown & Mitre"
- 1754
42
- William Hogarth
- 1764
43
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
44
- The Four Times of Day, Plate II: Noon
- 1738
45
- The Four Times of Day, Plate IV: Night
- 1738
46
- The Four Times of Day, Plate I: Morning
- 1738
47
- Beggar's Opera, Act III
- c.1790
48
- The Foundlings
- undated
49
- Vauxhall
- 1825
50
- Marriage A-La-Mode, Plate II: The Breakfast Scene
- 1745
51
- Marriage A-La-Mode, Plate III: The Scene with the Quack
- 1745
52
- Marriage A-La-Mode, Plate I: The Contract
- 1745
53
- Marriage A-La-Mode, Plate IV: The Toilet Scene
- 1745
54
- A Representation of the March of the Guards towards Scotland in the Year 1745 (from: Caricature, vol. 5)
- 1745
55
- Marriage a la Mode. Scene with the Quack
56
- Rosamond's Pond
57
- Mary Stuart, Queen Of Scotland
- 1803
58
- Shrimps!
- 1782
59
- Daniel Lock, Esqr
60
- Members of a Society of Artists that Existed About 1730
- ca. 1829
61
- Marriage A-La-Mode, Plate VI: The Death of the Countess
- 1745
62
- Marriage A-La-Mode, Plate V: The Death of the Earl
- 1745
63
- Canvassing for Votes, Plate II
- 1755-1758
64
- Mr. Garrick in the Charakter (sic) of Richard the 3D
- 1746
65
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
66
- The Good Samaritan
- 1772
67
- The Pool of Bethesda
- 1772
68
- View in St. James's Park showing Rosamond's Pond
- 1840
69
- Burning the Rumps, Temple Bar
- undated
70
- The Four Times of Day, Plate III: Evening
- 1738
71
- Sir James Thornhill
72
- Wm. Hogarth died Octr. 26th 1764 Aged 67
73
- William Hogarth
- undated
74
- Hogarth
- 1781
75
- Simon, Lord Lovat
- 1746
76
- Album Collection of Sixty-six Engravings after William Hogarth
77
- Burning the Rumps at Temple Bar
78
- Sketch of a Fat Man in Profile and from the Rear
- 1781
79
- North and South of Great Britain