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A Seascape with Men-of-War and Small Craft
Creator:
Attributed to Francis Holman, 1760–1790
Date:
ca. 1780
Materials & Techniques:
Oil on canvas
Dimensions:
38 1/4 x 56 inches (97.2 x 142.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Mill on the Tavy
Creator:
William Payne, active 1850s
Date:
undated
Materials & Techniques:
Watercolor on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bewdley Bridge, Worcester
Creator:
Attributed to Peter Rashleigh, active 1775
Date:
1775
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bathing Houses at Margate
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 11 7/8 inches (19.7 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

5. Torquay

Torquay
Creator:
William Payne, active 1850s
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/16 × 6 inches (10.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Skiddaw and Derwentwater
Creator:
Joseph Farington, 1747–1821
Date:
ca. 1780
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/8 × 26 inches (49.2 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection