<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Creator Gender male

Remove constraint Creator Gender: male

Date 1820

Remove constraint Date: 1820

Subject Terms study (visual work)

Remove constraint Subject Terms: study (visual work)

Search Results

Sketch for 'The Reading of a Will'
Creator:
Sir David Wilkie, 1785–1841
Date:
1820
Materials & Techniques:
Oil on board
Dimensions:
7 1/2 x 10 inches (19.1 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Study of Waves
Creator:
attributed to Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Gray and brown washes with white gouache over graphite on thick, slightly textured, gray wove paper
Dimensions:
Sheet: 5 13/16 × 8 7/8 inches (14.8 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Study for the Central Character in Ward's Painting "The Deer Stealer"
Creator:
James Ward, 1769–1859
Date:
1820
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 7 7/8 inches (32.4 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for "Reading the Will"
Creator:
Sir David Wilkie, 1785–1841
Date:
1820
Materials & Techniques:
Watercolor with gray ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 x 5 5/8 inches (10.2 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
Creator:
James Ward, 1769–1859
Date:
1820 to 1830
Materials & Techniques:
Black chalk and white chalk on medium, slightly texture, brown wove paper mounted moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/8 x 3 3/4 inches (13 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection