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Author removed ss Thomas Girtin, 1775–1802, British

Remove constraint Author removed ss: Thomas Girtin, 1775–1802, British

Period 19th century

Remove constraint Period: 19th century

Exhibition History Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)

Remove constraint Exhibition History: Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)

Subject Terms river

Remove constraint Subject Terms: river

Classification Drawings & Watercolors

Remove constraint Classification: Drawings & Watercolors

Search Results

View of the Pont St.Michel, taken from the Pont Neuf
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown, laid paper
Dimensions:
Sheet: 7 1/8 x 12 3/16in. (18.1 x 31cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Romantic Landscape
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1801
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 20 1/2 inches (31.1 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Abbey Mill, Knaresborough
Creator:
Thomas Girtin, 1775–1802
Date:
1801
Materials & Techniques:
Watercolor, graphite, and white gouache with scratching out on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 11/16 x 20 11/16 inches (32.2 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sandsend, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Watercolor over graphite on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 1/2 x 20 7/8 inches (31.8 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kirkstall Abbey, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1801
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 15/16 x 8 1/16 inches (10 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Estuary on the River Taw, Devon
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor over graphite on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 10 5/16 x 17 3/4 inches (26.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Pantheon from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 17 5/16 inches (15 x 43.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Pantheon, taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown, laid paper
Dimensions:
Sheet: 7 x 17 1/8in. (17.8 x 43.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 6 5/8 × 18 1/4 inches (16.8 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Village of Chaillot, etc., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 5 × 19 inches (12.7 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Banks of the Marne below the Bridge at Charenton
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 6 1/4 × 10 1/8 inches (15.9 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Louvre and Bridge of the Tuilleries, taken from Pont Neuf
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 7 × 18 inches (17.8 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 8 × 21 3/4 inches (20.3 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Tuilleries and Bridge, taken from the Quai d'Orsay
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 9 1/2 × 20 1/2 inches (24.1 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Pont Neuf, the Mint, etc.
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1802
Materials & Techniques:
Graphite tracing on thin, brown, laid paper
Dimensions:
Sheet: 8 1/4 × 21 inches (21 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc., taken from Pont Notre Dame
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 7 7/8 × 19 inches (20 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 6 7/8 × 21 inches (17.5 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection