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Author ss Pierre Charles Canot, ca. 1710–1777, French, active in Britain

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1. Near Plymouth with the Ordinance Wharfe...

Near Plymouth with the Ordinance Wharfe...
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1756
Materials & Techniques:
Color engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Burton Constable; page 53 (Volume One)

Burton Constable; page 53 (Volume One)
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
Creator:
L. Truchy, 1721–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]
Creator:
L. Truchy, 1721–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]
Creator:
L. Truchy, 1721–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]
Creator:
L. Truchy, 1721–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]

Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]
Creator:
L. Truchy, 1721–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. 7. Returning from the Chase / Retour de Chasse

7. Returning from the Chase / Retour de Chasse
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. 4. The Earthing of the Fox / Renard dans son Terrier

4. The Earthing of the Fox / Renard dans son Terrier
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Stag at Bay

The Stag at Bay
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
undated
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 11 5/8 x 17 1/2in. (29.5 x 44.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. 5. Coming at the Death / Halte de Chasse

5. Coming at the Death / Halte de Chasse
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]
Creator:
L. Truchy, 1721–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 1/2 x 17 3/4in. (49.5 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]
Creator:
L. Truchy, 1721–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 1/2 x 17 3/4in. (49.5 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. 3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste

3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. 1. Going Out / Depart de Chasse

1. Going Out / Depart de Chasse
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. 2. Two Hunters / Deux Chevaux de Chasse

2. Two Hunters / Deux Chevaux de Chasse
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. 6. The Death of the Fox / Mort du Renard

6. The Death of the Fox / Mort du Renard
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. "A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana

"A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1758-1760
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 3/16 × 22 9/16 inches (43.6 × 57.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Views of Montreal and Louisburg: A View of Louisburg in North America taken near the Light House when that city was beseiged in 1758

Views of Montreal and Louisburg: A View of Louisburg in North America taken near the Light House when that city was beseiged in 1758
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1762
Materials & Techniques:
Color engraving
Dimensions:
Sheet: 13 1/8 x 20 3/4in. (33.3 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Scenographia Americana: A Southwest View of the City of New York, in North America

Scenographia Americana: A Southwest View of the City of New York, in North America
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1758-1760
Materials & Techniques:
Colored engraving
Dimensions:
Plate: 20 5/8 inches (52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. A Strong Gale or Squall

A Strong Gale or Squall
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Night & a Ship on fire

Night & a Ship on fire
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. A Ship in Distress. Design'd to represent the loss of the Victory by a violent Storm near the Race of Alderney in the Year 1744. Sr. John Balchen the Admiral, & upwards of 1000 Men were on board & unhappily perish'd in the Waves

A Ship in Distress. Design'd to represent the loss of the Victory by a violent Storm near the Race of Alderney in the Year 1744. Sr. John Balchen the Admiral, & upwards of 1000 Men were on board & unhappily perish'd in the Waves
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Shipwrack

Shipwrack
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Great Bridge over the Taafe

The Great Bridge over the Taafe
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1775
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 24 5/8 inches (44.8 x 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. View of the Canal in St. James's Park

View of the Canal in St. James's Park
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1746
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The New Building on Shrubs Hill

The New Building on Shrubs Hill
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1772
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. At Portsmouth with part of the Common

At Portsmouth with part of the Common
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1754
Materials & Techniques:
Color engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. At Chatham with Village of Brompton adjacent

At Chatham with Village of Brompton adjacent
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1755
Materials & Techniques:
Color engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. At Sheerness

At Sheerness
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1755
Materials & Techniques:
Color engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. At Woolwich with part of the Town

At Woolwich with part of the Town
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1753
Materials & Techniques:
Color engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. View of the City of New York: A South East View of the City of New York in North America

View of the City of New York: A South East View of the City of New York in North America
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1763
Materials & Techniques:
Color engraving
Dimensions:
Sheet: 13 1/4 x 20 7/8in. (33.7 x 53cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. A View from one Tree-Hill in Greenwich Park

A View from one Tree-Hill in Greenwich Park
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Fresh Gale

Fresh Gale
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Storm, Representing that Violent one, which drove his Majesty King George I into Rye

Storm, Representing that Violent one, which drove his Majesty King George I into Rye
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Morning, or Sun rising

Morning, or Sun rising
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Evening, or Sun setting

Evening, or Sun setting
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Lambeth. The Archbishop of Canterbury's Palace

Lambeth. The Archbishop of Canterbury's Palace
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. At Deptford with part of the town

At Deptford with part of the town
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1753
Materials & Techniques:
Color engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. At Chatham with Village of Brompton adjacent

At Chatham with Village of Brompton adjacent
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1755
Materials & Techniques:
Color engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Representation of the Glarious Defeat of the French Fleet off Belleisle on the 20 November 1759

Representation of the Glarious Defeat of the French Fleet off Belleisle on the 20 November 1759
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1759
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. A View from One Tree Hill in Greenwich Park

A View from One Tree Hill in Greenwich Park
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1746
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. A Brisk Gale

A Brisk Gale
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
ca. 1765
Materials & Techniques:
Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/8 × 21 1/8 inches (43.5 × 53.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. A View of the Palace from the South side of the Lake with the Temples of Bellona and AEolus and the House of Confucius in the Royal Gardens at Kew

A View of the Palace from the South side of the Lake with the Temples of Bellona and AEolus and the House of Confucius in the Royal Gardens at Kew
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
ca. 1764
Materials & Techniques:
Hand-colored engraving
Dimensions:
Plate: 14 5/8 x 21 1/8in. (37.1 x 53.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Views of Montreal and Louisburg: An East View of Montreal in Canada

Views of Montreal and Louisburg: An East View of Montreal in Canada
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1762
Materials & Techniques:
Color engraving
Dimensions:
Sheet: 13 3/16 x 21 1/16in. (33.5 x 53.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Classical landscape with cow herd and cows fording a stream

No cover image available
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1744
Materials & Techniques:
Engraving
Dimensions:
Sheet: 21 7/8in. (55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Taymouth; page 68 (Volume Three)

No cover image available
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Scenographia Americana: A View of the Market - Place in the City of the Havana

No cover image available
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1758-1760
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Views in the River and Gulph of St. Lawrence: A View of Pierced Island, a Rock in the Gulf of St. Lawrence

No cover image available
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1760
Materials & Techniques:
Hand colored engraving
Dimensions:
Overall: 13 7/8 × 21 inches (35.2 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Scenographia Americana: A View of Louisburg in North America, taken near the Light House when that City was besieged in 1758

No cover image available
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1758-1760
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Scenographia Americana: A View at the Entrance of the Harbour of the Havana, taken from within the Wrecks

No cover image available
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1758-1760
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Vent Frais

No cover image available
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
published 1754
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. View of the City of New York: A South West View of the City of New York in North America

No cover image available
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1763
Materials & Techniques:
Color engraving
Dimensions:
Sheet: 13 1/4 x 20 13/16in. (33.7 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Scenographia Americana: A South East View of the City of New York in North America

No cover image available
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1758-1760
Materials & Techniques:
Colored engraving
Dimensions:
Sheet: 14 1/4 × 20 7/8 inches (36.2 × 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection