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Author ss after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716)

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The Housewife's Employment
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/16 x 9 3/16 inches (33.2 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Housewife's Employment
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/4 x 9 7/8 inches (35 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Morning Rose, What Shall Poor Harpax Do!
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1744
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 14 5/16 inches (31.1 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A School of Boys
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1739
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 13 7/16 inches (28.7 x 34.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Philippe Mercier
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1735
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, yellow-cream laid paper
Dimensions:
Sheet: 12 1/4 × 9 7/8 inches (31.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Housewife's Employment
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/16 x 10 3/16 inches (36.3 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection