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1. Elderly Couple on a Park Bench, with Two Men Beyond

Elderly Couple on a Park Bench, with Two Men Beyond
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 6 1/4 x 8 1/16 inches (15.9 x 20.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Three Men and Two Boys Sitting on a Pier

Three Men and Two Boys Sitting on a Pier
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 5 9/16 x 7 9/16 inches (14.2 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A Conversazione

A Conversazione
Creator:
Print made by Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Engraving
Dimensions:
Sheet: 4 1/2 x 6 7/8in. (11.4 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. A Game at Cards

A Game at Cards
Creator:
Print made by Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. Cue in a Corner

Cue in a Corner
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1855
Materials & Techniques:
Etching on moderately thick, smooth, beige laid paper
Dimensions:
Sheet: 8 1/16 × 5 3/4 inches (20.4 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

6. The Death of Ananias

The Death of Ananias
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on cream card with cream card cutout pasted on top
Dimensions:
Mount: 7 15/16 x 9 5/8 inches (20.2 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Conversion of the Proconsul

The Conversion of the Proconsul
Creator:
Print made by George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Healing of the Lame Man

The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 9/16 x 7 3/16 inches (11.6 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Healing of the Lame Man

The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth cream wove paper mounted on contemporary cream card
Dimensions:
Mount: 8 3/8 x 9 15/16 inches (21.2 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection